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Film times and brief film reviews

Film times are good from Thursday, March 26, through Friday, April 3

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Film times: RaleighDurhamChapel HillGraham & RoxboroSpecial Showings

Our rating system uses zero to four stars. If a movie has no rating, it has not been reviewed. Signed reviews by Laura Boyes (LB), Grayson Currin (DGC), David Fellerath (DF), Nathan Gelgud (NG), Kathy Justice (KJ), Neil Morris (NM), Bryan Reed (BR), Zack Smith (ZS), Hobert Thompson (HT), Sam Wardle (SW).

Opening This Week

12 ROUNDS—Pro wrestler John Cena makes the leap from the ring to the big screen in this tale about a thief/ detective rivalry. Expect thoughtful dialogue, artistic production and a moving philosophical statement about the vague nature of morality. Or not. With Aidan Gillen, best known as Mayor Carcetti on The Wire. Rated R.

GOMORRAH—Adapted from Roberto Saviano's acclaimed book exposing the powerful Neapolitan crime syndicate Camorra. Director Matteo Garrone extends Saviano's sober, realist approach to craft a narrative that is gritty and ferociously cynical. Incorporating an Altman-esque approach, the movie oscillates between five storylines about Italians affected by organized crime. In his aim to deglamorize both the real-life mob lifestyle and the gangster film genre, Garrone focuses on the quasi-innocents embroiled in a web of dystopic iniquity, not the gangsters. However, the diffuse narrative reserves little time for developing an innovative plot or provocative, fascinating characters. Garrone focuses so intently on the sin that he forgets it is often the sinners who lure moviegoers looking to be both informed and entertained. Read our review. Rated R. —NM

THE HAUNTING IN CONNECTICUT—A family of six rents a house in Connecticut so they can be closer to the hospital where teenager Matt is going through some intense and experimental treatment for cancer. This bland haunted-house story doesn't offer many starts or spooks, but should have considered sketching some details into any of the relationships between its half-dozen characters. Instead, it resorts to banter between the generations played out as "Gimme five! Up high! Down low—too slow!" It also neglects the potential of the thematic parallel between possession and sickness: the house's ghosts, Matt's cancer. But maybe the most disappointing thing about The Haunting in Connecticut is that it refuses to offer the pleasant details that should come with a period piece: It takes place in 1987, though you'd never know it from the hair, clothes, cars or from the fact that Matt has no idea what ectoplasm is. Wouldn't he have just seen Ghostbusters two years ago? Rated PG-13. —NG

MONSTERS VS ALIENS—1950s creature-feature schlock meets high-tech parody in this slight but heady animated flick that subsists on eye-popping visuals (the 3-D version comes highly recommended), witty one-liners and spot-on voice casting. A chance encounter with a meteorite on her wedding day turns shrinking violet Susan (Reese Witherspoon, finally sounding like she's having fun) into a 50-foot woman named Ginormica. Quarantined inside an Area 51 with a collection of fellow mutants, the "monsters" are released when needed to combat an alien overlord (Rainn Wilson) bent on conquering Earth (natch). Spoofing films ranging from The Fly to Creature from the Black Lagoon to the Toho studio monsters, Susan's running mates include a mad scientist-cum-cockroach (Hugh Laurie), a 20,000-year-old fish-ape hybrid (Will Arnett), a jolly, gelatinous blue blob (Seth Rogen), and a gigantic grub. This Dreamworks Animation offering is a pale comparison with the likes of Pixar's The Incredibles in terms of both plot and import. But, it does demonstrate that sometimes it takes trashing a giant alien robot for a gal to get her groove back. Rated PG. —NM

Current Releases

CHE: PART ONEChe: Part I is the first half of director Steven Soderbergh's four-hour formal masterwork about the iconic revolutionary Ernesto "Che" Guevara. While it is rewarding to watch the two halves in one sitting, the first half functions surprisingly well as a self-contained film, partly because it has enough styles and settings for three movies (Mexico City, New York City, all over Cuba). Any political statement that a $60 million capitalist enterprise might make about a Communist revolutionary is irrelevant by its nature. But the flickering images on the screen, the texture-rich world that the film is submerged in, and the relationships of space and time as mapped out by a capable craftsman and adventurous artist like Soderbergh—these are things actually worth caring about. Not rated. —NG

CHE: PART TWO—The second half of Steven Soderbergh's four-hour opus picks up the story in the mid-1960s when Che (Benicio Del Toro) sneaks into Bolivia disguised, amusingly, as a stiff, bald Uruguayan businessman. His mission is to establish a jungle outpost and train recruits for a guerilla campaign that was to begin in the mining regions of the country, which contained the most radicalized Bolivians. But the operation was a botch, virtually from the beginning, and succeeded only in hastening the date of Guevara's martyrdom. There are many reasons to recommend the film in its entirety, including its first-rate depiction of guerilla warfare, which Soderbergh no doubt appreciates as analogous to low-budget filmmaking (underfunded, overmatched groups of young people trying to achieve impossible dreams). What is especially striking about this massive project, however, is how much the two halves mirror each other; in the second half, we see Che trying to make the magic of his youth happen one more time, as if replaying history would bring the same Hegelian-style, historically inevitable outcome. Not rated. —DF

THE CLASS—Adapted from a semi-autobiographical novel by school teacher François Bégaudeau and directed by Laurent Cantet, this Cannes Film Festival winner follows instructor François Marin (the author, playing a version of himself) as he tries to cope with his students' unruly behavior while also endeavoring to educate and, hopefully, inspire. Set squarely inside the walls of a racially mixed, inner city Parisian middle school, Cantet employs a raw, quasi-documentary filmmaking style that lays bare the increasingly uneasy relationship between teacher and student as an extended power struggle for classroom supremacy. Although provocative, The Class is not a flawless masterpiece, stylistically or thematically. However, while it is short on answers, the questions it sublimely raises are all too real. Rated PG-13. —NM

DUPLICITY—There's a playful though infuriating glee in piecing together the jigsaw puzzle plot of corporate espionage while basking in the effervescent glow of writer-director Tony Gilroy's rom-com romp—think The Thin Man meets David Mamet. Two corporate spies (Clive Owen and Julia Roberts) team-up to game a high-stakes rivalry between competing conglomerates for their personal gain, while at the same time trying to reconcile their affection and mistrust for each other—now, think Yojimbo meets To Catch a Thief. Such cinematic comparisons are apt, however, because Gilroy fashions a zesty, handsome film that strives to evoke Hollywood's gilded age. The two leads are engaging, especially Roberts, who captivates whether she's flashing her disarming smile or shooting an icy glare. What erodes their chemistry—and the audience's patience—is Gilroy's labyrinthine narrative structure, with its jumble of backstabbing, double-twists and chronological hopscotching. Having fun shouldn't be such hard work. Rated PG-13. —NM

HOTEL FOR DOGS—Two plucky orphans, their friends, and an unexpected Don Cheadle try to cultivate a substitute family in an abandoned hotel-turned-dog sanctuary. The film is laden with kids' movie clichés, but it avoids being completely annoying. It features entertaining, Rube Goldberg-esque inventions for mass dog care, and is refreshingly low on poop jokes. Rated PG. —HT

I LOVE YOU, MAN—This delightfully uncomplicated (see also simplistic) comedy draws from the Judd Apatow casting pool in a formula-flipping tale about a friendless milquetoast, Peter (Paul Rudd), whose fiancée, Zooey (Rashida Jones), pushes him into man-dates in search of a BFF and, hopefully, best man for their wedding. Enter Sydney (Jason Segel), a Lebowski-esque dude whose nonchalant persona masks the same loneliness as Peter. Their platonic, borderline obsessive bromance, rife with reverence for (the band) Rush and walks along Venice Beach, threatens to hamper Peter's pending nuptials and his vain efforts to sell Lou Ferrigno's house. By design, Peter and Sydney is the film's most charismatic coupling: The Apatow-lite script crackles whenever Rudd and Segel share the screen and riff off each other's pop-culture repartee. However, Peter and Zooey's relative lack of sizzle is symptomatic of a screenplay too preoccupied with infantile homo-hilarity. Only a bickering married couple played by Jon Favreau and Jaime Pressley augment the humor; seriously, isn't it high time that the quick-witted Pressley gets cast as the lead in a feature film comedy? Rated R. —NM

THE INTERNATIONALThe International offers little in the way of improving upon forgettable and forgotten conspiracy thrillers. Louis Salinger, an obsessive Interpol agent (Clive Owen), teams up with New York district attorney Eleanor Whitman (Naomi Watts) to investigate a bank that funds criminal organizations with money, information and weaponry. Rated R. —HT

KNOWING—M.I.T. astrophysics professor John Koestler (Nicholas Cage) lives a sad existence with a hand on the bottle and a foot in the laboratory after his wife's untimely death. One day, his precocious son brings home an ancient paper crammed with numbers from a 1959 time capsule. Koestler, who seems to be grappling with questions of a deterministic versus random universe, uncovers the paper's fate as numeric codes to past, present and future disasters point to earth's final doomsday fate. Struggling to ward off impending global catastrophe while keeping a watchful eye on his beloved son (who is plagued by whispers of pale, sinister people longing to snatch the boy away from earth), Cage's performance is often overly reactive and abrasive. Still, director Alex Proyas wins over his audience with a thoughtful narrative focused on the secret nature of the world humans inhabit and an obvious penchant for weird science TV (The Twilight Zone, The Outer Limits) that asks the questions we are afraid to know the answers to. Rated PG-13. —KJ

THE LAST HOUSE ON THE LEFT—In the '70s, Wes Craven revamped Ingmar Bergman's The Virgin Spring into a sadistic tale of violence in the generation of peace and love. This redux of Craven's debut rehashes the original plot—a college-age girl vacations in an isolated lake-side home with her parents, wanders out for some fun with a friend in town, then stumbles upon a gang of killers when a fellow teen offers the lure of hydroponic weed—but ultimately it strays from Craven's psycho-sadistic style. Here, Greek director Dennis Illiadis lends intimacy to the film through artistic moments (a camera lingers on a red wall and a body floats gently in a pool of blood and water) that far outweigh the provocative brutality of an extended rape scene and brutal stabbing. This film is no less depraved than the '72 version (the faint-hearted should proceed with caution) and the killers still receive their just desserts at the hands of the enraged victim's parents, but Illiadis finds grace in survival and redemption in retaliation. Rated R. —KJ

MADEA GOES TO JAIL—Populist auteur Tyler Perry's latest visit with Madea, a trash- and truth-talking "Jemima the Hutt." Half of this tale is sentimental melodrama, half is rowdy slapstick and it's all frosted with sincere Christianity. Channeling blaxploitation-like exhilaration, skeevvy racists are vanquished, crooked district attorneys outed and, in the end, family, faith and community triumph. Madea lectures "us" to get over being a victim, even if it feels so good to get mad and get even. Her tough love touches a lawyer (Derek Luke) who's engaged to a sleek fiancée but struggling with his feelings for a childhood friend, now a junkie hooker (Keshia Knight Pulliam, the Cosby Show's adorable Rudy, now way grown up). This film's success makes perfect sense; We want hope and change (and a soupçon of revenge), not the doom and anxiety threatened by the advance trailers, where even an old Disney plot is retooled into apocalypse. It's not surprising Madea's message rules. Rated PG-13. —LB

PAUL BLART: MALL COP—If this is Kevin James' attempt to make himself the new box office king of stupid comedy, Adam Sandler and Will Ferrell can sleep easy. While James does play his mall cop with engaging enthusiasm and surprising physical agility, his performance is hampered by the plot, a shopworn Die Hard parody. The moral seems to be that even a stupid guy can defeat terrorists, if he takes enough pratfalls to keep the bullets from hitting him and makes a lot of things fall on the evildoers' heads. Rated PG. —HT

RACE TO WITCH MOUNTAIN—Disney revisits their Witch Mountain franchise in this innocuous diversion that is pleasant enough viewing granted you don't bother applying even a modicum of logic. Otherwise, you'll wonder why two space travelers (a delightful AnnaSophia Robb and dour Alexander Ludwig) who assume human form and exhibit superpowers—one can alter his molecular structure and the other is capable of reading minds, levitating objects, blowing things up, operating a car telepathically, etc.—need the help of a Las Vegas cabbie (Dwayne Johnson) whose woebegone backstory is belied by the fact that, well, he looks like The Rock. Aided even further by a defrocked astrophysicist (the underrated Carla Guigno), the teen E.T.s are on a mission to deliver some gizmo holding the secret to environmental renewal back to their dying home planet. In their way is an intergalactic assassin patterned after Predator and a cadre of government MIBs led by Ciarán Hinds (wearing a constipated scowl). Indeed, the derivative film blindly assimilates contemporary alien-movie conventions more than Disney films of yore. Rated PG —NM. Rated PG.

THE READER—For those of us with limited patience for the exquisitely tasteful literary adaptations that litter theaters in December, The Reader requires patience. The early scenes, set in Berlin of 1955, are a unending prologue of tinkling music, muted colors, longing glances, lovingly caressed flesh and worship of literature. When the film displays its hand, however, we get more interesting film about the limits of legal and moral responsibility for the atrocities of World War II and in the individual and collective guilt of the German people. Rated R. —DF

THE SECRETS—Two Orthodox Jewish girls, studying in the Knowledge and Truth seminary for women in a small Israeli town, bond over their desire to provide tikkun—healing—for an outcast. Naomi (Ania Bukstein) and Michelle (Michal Shtamler), seeking refuge from their oppressive families, are strangely drawn to the guilt-ridden Anouk (French film icon Fanny Ardant). Anouk's pathway to redemption also transforms Naomi and Michelle, struggling with their own heresies, not the least, Naomi's forbidden desire to become a rabbi. Films about Orthodox Judaism often depict a suffocating pall of religiosity, especially scripture's stranglehold, asserting men's domination over women, who are commanded only that "the wise woman should build a home." Naomi's unwavering belief that one should worship out of love, not fear, seemingly provides an immovable impasse to her self-fulfillment. Director Avi Nesher has some Hollywood credits to his name, and The Secrets is an absorbing character study of three nonconformist women. Rated R. —LB

SLUMDOG MILLIONAIRE—Blending historical perspective, grim reality, whimsy and starry-eyed romance, director Danny Boyle (Trainspotting) crafts a masterful cinematic masala about an 18-year-old Muslim and former street orphan suspected of cheating during his successful run on a Hindi version of Who Wants to Be a Millionaire? His resulting torture and interrogation reveals the details of his hardscrabble life. The script for this epic character-driven, post-modern Dickensian tale deftly incorporates much of India's religious/ cultural conflict and transformation. But, at the film's heart beats a redemptive, rags-to-rajah fable that transcends its milieu. Rated R. —NM

TAKENTaken has a lot in common with its main character, a vengeful uber-dad played by Liam Neelson. The film is brutal, hyper-kinetic and slightly xenophobic. As a film that explores the issue of sex slavery, it's a blunt tool; It will only succeed in terrifying the parents of kids who want to travel. However, it's a well-made and solid action thriller, and action films are rarely successful teachers. This one wisely falls back into the old standbys: gun fights and car chases. It's worth seeing if only for Neelson's performance. He plays his humbly retired spy with gentle smile that can quickly give way to a menacing glare as he cracks heads; both looks work well in tandem with his whispery, scratchy voice. His character is one of the most interesting patriarchal antiheroes since Bruce Willis's lovelorn good-cop in Sin City. Rated PG-13. —HT

TWO LOVERSTwo Lovers follows the romantic missteps of Leonard (Joaquin Phoenix)—a perhaps suicidal, probably bipolar Brooklyn boy from Brighton Beach. His parents try to set Leonard up with Sandra (Vinessa Shaw), a nice Jewish girl, but he only has eyes for Melissa (Gwyneth Paltrow), his troubled, sniveling blonde wisp of a neighbor. The choice that Leonard should be making is clear, and Two Lovers is 100 minutes of watching him not make it. What I love about director and co-writer James Gray's movie is that it doesn't just short-circuit emotional connection, it explodes the very concept. For most of the film I have no idea what Gray wants me to think of what's happening—it's an exhilarating bottomless freefall. Rated R. —NG

WATCHMEN—The renowned comic-book writer Alan Moore once declared that his epic graphic novel series was unfilmable. While now a technically inaccurate statement, one gander at the long-awaited cinematic rendering of Moore's magnum opus provides ample appreciation for the spirit behind his proclamation. Watchmen is a phantasmagorical mind trip, but not about the psychology of America's popular culture as much as the psychology of America itself. The film is visually arresting and thought-provoking; it is also bloated and unwieldy. Some will regard it as a cinematic work of art; others will see sheer fanboy pornography. It must be said that the opening two scenes are brilliant—and hover like an unmet promise throughout the remainder of the almost interminable 161-minute running time. Rated R. —NM

WENDY AND LUCY—In Kelly Reichardt's Wendy and Lucy, Michelle Williams plays Wendy, a young woman traveling with her dog, Lucy, to Alaska, where she hopes to find work in a cannery. When her car breaks down in a small town in Oregon, Wendy's options are limited. (This is a character who sleeps in her car in a parking lot with her dog, and that's when things are going well for her.) The pace, the worn-in clothing, and the snapshot realism of the locations give Wendy and Lucy a naturalistic feel, but it's not just a mood piece. In fact, what I most love about the movie is Reichardt's presentation of a clear, consistent theme, using Wendy's predicament to examine an individual's relationship to rules and institutions. Not rated. —NG


Film times were updated Friday, March 27.

Due to the possibility of last-minute scheduling changes, we recommend calling ahead to theaters to confirm showtimes.

Raleigh

Regal Beaver Creek Stadium 12
Beaver Creek Shopping Center, off NC 55, Apex, 676-3456

12 Rounds—Fri-Sun: (11:40 AM, 2:15, 4:50), 7:25, 10; Mon-Thu: (1:10, 4), 7, 9:40. Duplicity—Fri-Sun: (12, 3), 6:50, 9:45; Mon-Thu: (12:30, 3:40), 6:30, 9:30. The Haunting in Connecticut—Fri-Sat: (11 AM, 1:30, 4), 7, 9:20; Sun: (1:30, 4), 7, 9:20; Mon-Thu: (1:30, 3:50), 6:45, 9. I Love You, Man—Fri-Sat: (11:20 AM, 2:30, 5), 7:35, 10:05; Sun: (2:30, 5), 7:35, 10:05; Mon-Thu: (1:20, 4:20), 7:10, 9:50. Knowing—Fri-Sun: (11:50 AM, 3:10), 6:40, 9:30; Mon-Thu: (12:40, 3:30), 6:20, 9:20. Monsters vs. Aliens—Fri-Sun: (11:30 AM, 2, 4:30), 7:15, 9:35; Fri-Sat: (10:45 AM, 12:15, 1:15, 2:45, 3:45, 5:15), 6:30, 7:45, 9, 10:15; Sun: (12:15, 1:15, 2:45, 3:45, 5:15), 6:30, 7:45, 9, 10:15; Mon-Thu: (12:50, 2:30, 3:20, 5, 5:50), 7:30, 8:20, 10; Mon-Thu: (1:40, 4:10), 6:40, 9:10. Race to Witch Mountain—Fri-Sat: (11:10 AM, 1:40, 4:20), 6:45, 9:10; Sun: (1:40, 4:20), 6:45, 9:10; Mon-Thu: (1:50, 4:40), 7:20, 9:50. Taken—Fri-Sun: (12:50, 3:30), 6:20, 10:10; Mon-Thu: (2:10, 4:50), 7:50, 10:10. Tyler Perry's Madea Goes to Jail—Fri-Sun: (12:40, 3:20), 6:10, 9:50; Mon-Wed: (2, 5:10), 7:40, 10:05; Thu: (2, 5:10), 7:40. Watchmen—Fri-Sun: (12:30, 4:10), 8; Mon-Thu: (1, 4:30), 8

Carmike Blue Ridge 14 Cinema
600 Blue Ridge Rd, Raleigh, 645-1111

Bedtime Stories—Fri-Thu: 1:15, 3:25, 5:35, 7:45, 9:55. Bolt—Fri-Thu: 1, 3:15, 5:30, 7:45, 9:55. Bride Wars—Fri-Thu: 1, 3:15, 5:30, 7:45, 10:05. The Curious Case of Benjamin Button—Fri-Thu: 1, 2, 4:15, 5:15, 7:30, 8:30. Doubt—Fri-Thu: 1:15, 4:15, 7, 9:35. Inkheart—Fri-Thu: 1:35, 4:15, 7:05, 9:40. Marley & Me—Fri-Thu: 1:10, 4:10, 7, 9:50. Miss March—Fri-Thu: 1:05, 3:20, 5:35, 7:50, 10. My Bloody Valentine—Fri-Thu: 4:30, 10. Seven Pounds—Fri-Thu: 1:35, 4:30, 7:20, 10. Street Fighter: The Legend of Chun-Li—Fri-Thu: 1:20, 3:30, 5:40, 7:45, 9:55. Twilight—Fri-Thu: 1:30, 4:15, 7, 9:45. Underworld: Rise of the Lycans—Fri-Thu: 1:10, 3:25, 5:40, 7:55, 10:10. Valkyrie—Fri-Thu: 1:40, 7:10

Regal Brier Creek Stadium 14
8611 Brier Creek Pkwy, Raleigh, 484-9994

12 Rounds—Fri-Sun: (12:30, 3:30), 7:40, 10:20; Mon-Thu: (1:20, 4:05), 7:05, 9:45. Duplicity—Fri-Sun: (12:55, 3:50), 6:55, 9:50; Mon-Thu: (1:05, 3:50), 6:45, 9:30. The Haunting in Connecticut—Fri-Sat: (11:45 AM, 2:10, 4:35), 7:15, 9:40, 12:05 AM; Sun: (11:45 AM, 2:10, 4:35), 7:15, 9:40; Mon-Thu: (1:40, 4:35), 7:40, 9:55. I Love You, Man—Fri-Sat: (12:50, 3:40), 7:10, 9:45, 12:20 AM; Sun: (12:50, 3:40), 7:10, 9:45; Mon-Thu: (1:25, 4:10), 7:10, 9:40. Knowing—Fri-Sun: (12:40, 4), 7:20, 10:15; Mon-Thu: (1:10, 3:55), 6:50, 9:35. The Last House on the Left—Fri-Sat: (12:45, 4:10), 6:50, 9:35, 12:15 AM; Sun: (12:45, 4:10), 6:50, 9:35; Mon-Thu: (1:15, 4), 6:55, 9:25. The Metropolitan Opera: La Sonnambula Encore—Wed: 7. Monsters vs. Aliens—Fri-Sat: (11:30 AM, 12, 1, 2, 2:30, 3:45, 4:30, 5), 6:30, 7, 7:30, 9, 9:30, 10, 11:25, 11:55; Sun: (11:30 AM, 12, 1, 2, 2:30, 3:45, 4:30, 5), 6:30, 7, 7:30, 9, 9:30, 10; Mon-Thu: (1, 1:30, 2, 3:15, 3:45, 4:15), 6:30, 7, 7:30, 9, 9:30, 10. Paul Blart: Mall Cop—Fri-Sat: (12:15, 2:35, 4:55), 7:35, 9:55, 12:10 AM; Sun: (12:15, 2:35, 4:55), 7:35, 9:55; Mon-Thu: (1:20, 3:35), 6:35, 9:15. Race to Witch Mountain—Fri-Sun: (11:40 AM, 2:15, 4:50), 7:20, 9:50; Mon-Thu: (1:05, 3:25), 6:40, 9:10. Taken—Fri-Sat: (12:35, 4:45), 7:25, 9:55, 12:20 AM; Sun: (12:35, 4:45), 7:25, 9:55; Mon-Tue: (1:45, 4:30), 7:20, 9:35; Wed: (1:45, 4:30); Thu: (1:45, 4:30), 7:20, 9:35. Tyler Perry's Madea Goes to Jail—Fri-Sat: (12:05, 3:20), 6:45, 9:15, 11:45; Sun: (12:05, 3:20), 6:45, 9:15; Mon-Thu: (1:35, 4:20), 7:15, 9:40. Watchmen—Fri-Sat: (11:35 AM, 3:25), 7:05, 10:40; Sun: (11:35 AM, 3:25), 7:05; Mon-Thu: (1, 4:25), 7:50

Carmike Fifteen
5501 Atlantic Springs Rd, Raleigh, 645-1111

12 Rounds—Fri-Sat: (1:15, 4:10), 7, 9:40, 12:10 AM; Sun-Thu: (1:15, 4:10), 7, 9:40. Altered Courses—Sat-Sun: 12 AM. Duplicity—Fri-Sat: (1:20, 4), 7, 9:35, 12:10 AM; Sun-Thu: (1:20, 4), 7, 9:35. The Haunting in Connecticut—Fri: (2:40, 3:10, 5:05), 5:35, 7:30, 8, 10, 10:30, 12:30 AM; Sat: (12:15, 12:45, 2:40, 3:10, 5:05), 5:35, 7:30, 8, 10, 10:30, 12:30 AM; Sun-Thu: (12:15, 12:45, 2:40, 3:10, 5:05), 5:35, 7:30, 8, 10. I Love You, Man—Fri-Sat: (1:30, 4:15), 7:10, 9:50, 12:25 AM; Sun-Thu: (1:30, 4:15), 7:10, 9:50. Knowing—Fri-Sat: (1:10, 4:10), 7, 9:45, 12:30 AM; Sun-Thu: (1:10, 4:10), 7, 9:45. The Last House on the Left—Fri-Sat: (1, 4:10), 7, 9:40, 12:20 AM; Sun-Thu: (1, 4:10), 7, 9:40. Monsters vs. Aliens—Fri: (2:40, 5:05), 7:30, 9:55, 12:20 AM; Sat: (12:15, 2:40, 5:05), 7:30, 9:55, 12:20 AM; Sun-Thu: (12:15, 2:40, 5:05), 7:30, 9:55. Monsters vs. Aliens 3D—Fri: (1, 2:25, 2:55, 3:25, 4:50, 5:20), 5:50, 7:15, 7:45, 8:15, 9:40, 10:10, 10:45, 12:05 AM; Sat: (12, 12:30, 1, 2:25, 2:55, 3:25, 4:50, 5:20), 5:50, 7:15, 7:45, 8:15, 9:40, 10:10, 10:45, 12:05 AM; Sun-Thu: (12, 12:30, 1, 2:25, 2:55, 3:25, 4:50, 5:20), 5:50, 7:15, 7:45, 8:15, 9:40, 10:10. The One Lamb—Mon-Thu: (4), 9:50. Paul Blart: Mall Cop—Fri-Sat: (2:55, 5:10), 7:30, 9:50, 12:10 AM; Sun: (2:55, 5:10), 7:30, 9:50; Mon-Thu: (12), 7:30. Race to Witch Mountain—Fri: (2:25, 4:50), 7:20, 9:45, 12:10 AM; Sat: (12, 2:25, 4:50), 7:20, 9:45, 12:10 AM; Sun-Thu: (12, 2:25, 4:50), 7:20, 9:45. Tyler Perry's Madea Goes to Jail—Fri: (2:30, 5), 7:30, 10, 12:30 AM; Sat: (12, 2:30, 5), 7:30, 10, 12:30 AM; Sun-Thu: (12, 2:30, 5), 7:30, 10. Watchmen—Fri: (4:15), 7:45, 11:10; Sat: (12:45, 4:15), 7:45, 11:10; Sun-Thu: (12:45, 4:15), 7:45

Colony Theatres
Colony Shopping Center, 5438 Six Forks Rd, Raleigh, 856-0111

The International—Fri-Sun: (2, 4:30), 7, 9:20; Mon-Thu: 7, 9:20. The Reader—Fri-Sun: (1:45, 4:15), 7:05; Mon-Thu: 7:05. Two Lovers—Fri-Thu: 9:30

Regal Crossroads 20
501 Caitboo Ave, Crossroads Shopping Center, Cary, 226-2000

12 Rounds—Fri-Sat: (12:30, 3, 5:30), 8, 10:30; Sun-Thu: (12:30, 3, 5:30), 8. Confessions of a Shopaholic—Fri-Sun: (10:55 AM, 1:50, 4:50), 7:35, 10:05; Mon-Thu: (1:50, 4:50), 7:35, 10:05. Duplicity—Fri-Sat: (11:15 AM, 12:45, 2:10, 4, 5), 6:50, 7:55, 9:35, 10:40; Sun: (11:15 AM, 12:45, 2:10, 4, 5), 6:50, 7:55, 9:35; Mon-Thu: (12:45, 2:10, 4, 5), 6:50, 7:55, 9:35. The Haunting in Connecticut—Fri-Sat: (12, 1:15, 2:15, 3:30, 4:30, 5:45), 7, 8:15, 9:30, 10:45; Sun-Thu: (12, 1:15, 2:15, 3:30, 4:30, 5:45), 7, 8:15, 9:30. He's Just Not That Into You—Fri-Thu: (12:40, 3:35), 6:30, 10:10. I Love You, Man—Fri-Sat: (11:05 AM, 11:50 AM, 1:40, 2:30, 4:35, 5:05), 7:05, 8:20, 9:50, 11; Sun: (11:05 AM, 11:50 AM, 1:40, 2:30, 4:35, 5:05), 7:05, 8:20, 9:50; Mon-Thu: (1:40, 2:30, 4:35, 5:05), 7:05, 8:20, 9:50. Knowing—Fri-Sat: (10:30 AM, 11:45 AM, 1:20, 2:35, 4:05, 5:35), 7:25, 8:30, 10:25, 11:20; Sun: (10:30 AM, 11:45 AM, 1:20, 2:35, 4:05, 5:35), 7:25, 8:30; Mon-Thu: (1:20, 2:35, 4:05, 5:35), 7:25, 8:30. The Last House on the Left—Fri-Thu: (12:20, 3:05), 6:35, 9:05. Monsters vs. Aliens—Fri-Sat: (10:45 AM, 11:30 AM, 1, 1:30, 2, 3:45, 4:15, 4:45), 6:15, 6:45, 7:15, 8:45, 9:15, 9:45, 11:15, 11:45; Sun: (10:45 AM, 11:30 AM, 1, 1:30, 2, 3:45, 4:15, 4:45), 6:15, 6:45, 7:15, 8:45, 9:15, 9:45; Mon-Thu: (1, 1:30, 2, 3:45, 4:15, 4:45), 6:15, 6:45, 7:15, 8:45, 9:15, 9:45. Monsters vs. Aliens 3D—Fri-Thu: (12:15, 2:45, 5:15), 7:45, 10:15. Race to Witch Mountain—Fri-Sun: (11 AM, 1:45, 4:25), 7:30, 10; Mon-Thu: (1:45, 4:25), 7:30, 10. Taken—Fri-Sat: (12:50, 3:10), 6:20, 8:35, 11:30; Sun-Thu: (12:50, 3:10), 6:20, 8:35. Tyler Perry's Madea Goes to Jail—Fri-Sun: (11:40 AM, 3:20), 6:25, 9; Mon-Thu: (3:20), 6:25, 9. Watchmen—Fri-Sun: (10:35 AM, 2:25, 5:50), 9:20; Mon-Thu: (2:25, 5:50), 9:20

Galaxy Cinema
770 Cary Towne Blvd, Cary, 463-9989

The Class (Entre les murs)—Fri-Thu: (1, 4), 6:55, 9:35. Fear(s) of the Dark (Peur(s) du Noir)—Fri-Thu: (1:15, 3:45), 7:20, 9:20. Ghajini—Sat: (6:15). Giulio Cesare—Sun: (3); Wed: 7. Gomorrah—Fri-Thu: (12:55, 3:55), 7, 9:45. The Reader—Fri-Thu: (4:15), 7:10. The Secrets (Ha-Sodot)—Fri-Thu: (12:45). Slumdog Millionaire—Fri-Thu: (1:10, 4:10), 7:05, 9:30. Two Lovers—Fri-Thu: (1:05), 9:40

UA Garner Town Square 10
2600 Timber Dr, Garner, 779-2212

12 Rounds—Fri-Sat: (1:30, 4:35), 7:15, 9:55; Sun-Thu: (1:30, 4:35), 7:15. The Haunting in Connecticut—Fri-Sat: (1:25, 4:40), 7:20, 10:05; Sun-Thu: (1:25, 4:40), 7:20. I Love You, Man—Fri-Sat: (12:10, 2:40, 5:10), 7:40, 10:15; Sun-Thu: (12:10, 2:40, 5:10), 7:40. Knowing—Fri-Sat: (1:20, 4:20), 7:25, 10:10; Sun-Thu: (1:20, 4:20), 7:25. The Last House on the Left—Fri-Sat: (1:40, 4:25), 7:10, 9:45; Sun-Thu: (1:40, 4:25), 7:10. Monsters vs. Aliens—Fri-Sat: (11:30 AM, 2, 4:30), 7, 9:30; Sun-Thu: (12:15, 2:40, 5), 7:30. Paul Blart: Mall Cop—Fri-Sat: (1:35, 4:45), 7:05, 9:35; Sun-Thu: (1:35, 4:45), 7:05. Race to Witch Mountain—Fri-Sat: (12:15, 2:35, 5), 7:30, 9:50; Sun-Thu: (12:15, 2:35, 5), 7:30. Tyler Perry's Madea Goes to Jail—Fri-Sat: (12:25, 2:50, 5:15), 7:35, 10; Sun-Thu: (12:25, 2:50, 5:15), 7:35. Watchmen—Fri-Sat: (12:20, 3:40), 7, 10:20; Sun-Thu: (12:20, 3:40), 7

Wachovia IMAX Theatre at Marbles Kids Museum
201 E Hargett St, Raleigh, 834-4040

Monsters vs. Aliens: An IMAX 3D Experience—Fri: 2, 3:55, 5:50, 7:45, 9:40; Sat-Thu: 1, 3, 5, 7, 9. Mummies: Secrets of the Pharaohs—Fri: 10 AM; Sun: 11 AM; Wed: 11 AM; Thu: 12. Under the Sea 3D (IMAX 3D)—Fri: 11 AM, 1; Sat-Sun: 12; Tue: 11 AM; Thu: 10 AM

Mission Valley Cinema
2109-124 Avent Ferry Rd, Raleigh, 834-2233

Duplicity—Fri-Thu: (1:15, 4), 7, 9:45. The Haunting in Connecticut—Fri-Thu: (1, 3, 5), 7:15, 10. I Love You, Man—Fri-Thu: (1:30, 4:15), 7:15, 9:55. Knowing—Fri-Thu: (1:15, 4:10), 7:10, 9:50. Monsters vs. Aliens—Fri-Thu: (12:50, 2:55, 4:55), 7, 9:30

Regal North Hills Stadium 14
4150 Main at North Hills St, Raleigh, 786-4511

12 Rounds—Fri-Sat: (10:55 AM, 1:45, 4:20), 6:55, 9:35, 12:10 AM; Sun-Thu: (1:45, 4:20), 6:55, 9:35. Duplicity—Fri-Thu: (1:25, 4:10), 7, 10. Fast & Furious—Thu: 12:01 AM. The Haunting in Connecticut—Fri-Sat: (12:05, 2:30, 5), 7:25, 10:05, 12:25 AM; Sun-Thu: (12:05, 2:30, 5), 7:25, 10:05. I Love You, Man—Fri: (11:40 AM), 7:20; Fri: (12:20, 2:10, 2:50, 4:50, 5:20), 8, 9:55, 10:30, 12:20 AM; Sat: (11:40 AM, 12:20, 2:50, 4:50, 5:20), 7:20, 8, 10:30, 12:20 AM; Sat-Sun: (2:10), 9:55; Sun: (12:20, 2:50, 4:50, 5:20), 7:20, 8, 10:30; Mon: (2:10), 7:20; Mon: (12:20, 2:50, 4:50, 5:20), 8, 9:55, 10:30; Tue: (12:20, 2:10, 2:50, 5:20), 7:20, 8, 10:30; Tue: (4:50), 9:55; Wed: (12:20, 2:50, 4:50), 9:55; Wed: (2:10), 7:20; Thu: (4:50), 9:55; Thu: (12:20, 2:10, 2:50, 5:20), 7:20, 8, 10:30. Knowing—Fri-Sat: (10:50 AM, 12:30, 1:50, 4, 4:40), 6:50, 7:30, 9:40, 10:20; Sun-Thu: (12:30, 1:50, 4, 4:40), 6:50, 7:30, 9:40, 10:20. The Last House on the Left—Fri-Thu: (12, 2:35, 5:10), 7:50, 10:25. The Metropolitan Opera: La Sonnambula Encore—Wed: 7. Monsters vs. Aliens—Fri-Sat: (10:45 AM, 11:30 AM, 1:30, 2, 4:15, 4:45), 6:45, 7:15, 9:15, 9:45, 11:45, 12:15 AM; Sun-Thu: (1:30, 2, 4:15, 4:45), 6:45, 7:15, 9:15, 9:45. Monsters vs. Aliens 3D—Fri-Thu: (12:15, 2:45, 5:15), 7:45, 10:15. Race to Witch Mountain—Fri-Sat: (11:35 AM, 2:05, 4:35), 7:05, 9:30, 11:55; Sun-Thu: (2:05, 4:35), 7:05, 9:30. Taken—Fri-Thu: (12:10, 2:40), 7:35. Tyler Perry's Madea Goes to Jail—Fri-Thu: (5:05), 9:55. Watchmen—Fri-Sat: (12:25, 4:25), 7:55, 11:25; Sun-Thu: (12:25, 4:25), 7:55

Carmike Park Place 16
9525 Chapel Hill Rd, Morrisville, 645-1111

12 Rounds—Fri-Thu: (1:15, 4:10), 7, 9:40. Altered Courses—Sat: 12 AM. Duplicity—Fri-Thu: (1:20, 4), 7, 9:35. The Haunting in Connecticut—Fri: (2:40, 5:05), 7:30, 10; Sat-Thu: (12:15, 2:40, 5:05), 7:30, 10. Hotel for Dogs—Fri: (2:25, 4:50), 7:15, 9:30; Sat-Thu: (12, 2:25, 4:50), 7:15, 9:30. I Love You, Man—Fri-Thu: (1:30, 4:15), 7:10, 9:50. Knowing—Fri-Thu: (1:10, 4:10), 7, 9:45. The Last House on the Left—Fri: (1, 4:10), 7, 9:40; Sat: (4:10), 7, 9:40; Sun: (1, 4:10), 7, 9:40; Mon-Thu: (1), 7. Monsters vs. Aliens—Fri: (2:40, 5:05), 7:30, 9:55; Sat-Thu: (12:15, 2:40, 5:05), 7:30, 9:55. Monsters vs. Aliens 3D—Fri: (2:25, 2:55, 4:50, 5:20), 7:15, 7:45, 9:40, 10:10; Sat-Thu: (12, 12:30, 2:25, 2:55, 4:50, 5:20), 7:15, 7:45, 9:40, 10:10. The One Lamb—Mon-Thu: (4:10), 9:50. Race to Witch Mountain—Fri: (2:25, 4:50), 7:20, 9:45; Sat-Thu: (12, 2:25, 4:50), 7:20, 9:45. Slumdog Millionaire—Fri-Thu: (1:15, 4), 7, 9:55. Taken—Fri: (2:40, 5), 7:20, 9:45; Sat-Thu: (12:20, 2:40, 5), 7:20, 9:45. Tyler Perry's Madea Goes to Jail—Fri: (2:20, 5), 7:30; Sat-Thu: (10 AM, 12, 2:20, 5), 7:30. Watchmen—Fri: (4:15), 7:45; Sat-Thu: (12:45, 4:15), 7:45. The Wrestler—Fri-Thu: (1, 4), 7:05, 10

Raleighwood Cinema Grill
Falls Village Shopping Center, Raleigh, 847-0326

24—Mon: 8:30. Bedtime Stories—Fri-Thu: 1. Bolt—Fri-Thu: 4. Confessions of a Shopaholic—Fri-Thu: 6:30. Hotel for Dogs—Fri-Thu: 3:30. The Tale of Despereaux—Fri-Thu: 12:30. Twilight—Fri-Thu: 8:45. Yes Man—Fri-Thu: 7, 9

Rialto Theatre - Raleigh
1620 Glenwood Ave, Raleigh, 856-0111

Gomorrah—Fri: 7:30; Sat-Sun: (1:30, 4:30), 7:30; Mon-Thu: 7:30. The Rocky Horror Picture Show—Fri: 12 AM

Six Forks Station Cinema
9500 Forum Dr, Raleigh, 846-3904

Duplicity—Fri-Thu: (1:10, 4), 7:10, 9:50. Knowing—Fri-Thu: (1:20, 4:10), 7:20, 9:45. Monsters vs. Aliens—Fri-Thu: (12:50, 2:55, 5), 7:05, 9:15. Race to Witch Mountain—Fri-Thu: (12:40, 2:50, 5), 7:15, 9:25. The Reader—Fri-Thu: (1:25, 4:10), 7:10, 9:40. Slumdog Millionaire—Fri-Thu: (1:15, 4), 7:15, 9:45

Regal White Oak Stadium 14
1205 Timber Dr East, Garner, 676-FILM

12 Rounds—Fri-Sat: (12, 3:50), 7:35, 10:15; Sun-Thu: (12:25, 3:05), 7:10, 9:50. Duplicity—Fri-Sat: (12:45, 4), 7:05, 9:55; Sun-Thu: (12:45, 3:45), 6:45, 9:40. Fired Up—Fri-Thu: 7:20, 9:35. The Haunting in Connecticut—Fri-Sat: (12:20, 3:10), 7:15, 10; Sun-Thu: (12:20, 3:10), 7:15, 9:35. I Love You, Man—Fri-Sat: (1:10, 4:15), 7:30, 10:20; Sun-Thu: (1:10, 4:15), 7:20, 9:55. Knowing—Fri-Thu: (12:30, 3:40), 6:50, 9:45. The Last House on the Left—Fri-Sat: (1:50, 4:45), 7:25, 10:05; Sun-Thu: (1:50, 4:45), 7:25, 10. Monsters vs. Aliens—Fri-Sat: (11:30 AM, 1, 2, 3:30, 4:30), 6:15, 7, 8:40, 9:30; Fri-Sat: (12:15, 2:45, 5:15), 7:45, 10:10; Sun-Thu: (1, 2, 3:30, 4:30), 6:15, 7, 8:40, 9:30; Sun-Thu: (12:15, 2:45, 5:15), 7:45. Paul Blart: Mall Cop—Fri-Sat: (12:05, 2:30, 5); Sun-Thu: (12:15, 2:30, 5). Race to Witch Mountain—Fri-Thu: (1:30, 4:10), 6:40, 9:05. Taken—Fri-Sat: (1:40, 4:35), 6:55, 9:40; Sun-Thu: (1:40, 4:35), 6:55, 9:20. Tyler Perry's Madea Goes to Jail—Fri-Thu: (1:20, 4:05), 6:30, 9:15. Watchmen—Fri-Thu: (12:50, 4:25), 8

Durham

Southpoint Cinemas
8030 Renaissance Parkway, Suite 975, (919)313-6627

12 Rounds—Fri-Sat: (12:15, 2:40, 5), 7:40, 10; Sun: (12:15, 2:40, 5), 7:20, 9:40; Mon-Thu: (1:50, 5), 7:20, 9:40. Duplicity—Fri-Sat: (1:25, 4:15), 7:05, 9:55; Sun: (1:25, 4:10), 6:55, 9:40; Mon-Thu: (1:25, 4:10), 6:50, 9:35. The Haunting in Connecticut—Fri-Sat: (1:10, 3:30), 6:20, 10:10; Sun: (1:10, 3:30), 6:20, 8:35; Mon-Thu: (1:15, 3:35), 6:15, 8:35. I Love You, Man—Fri-Sat: (12:05, 1, 2:30, 3:55, 4:55), 7, 7:50, 9:45, 10:30; Sun: (12:05, 1, 2:30, 3:55, 4:55), 6:35, 7:35, 9:10, 10; Mon-Thu: (1, 2:10, 3:55, 4:50), 6:35, 7:30, 9:10, 9:55. Knowing—Fri-Sat: (12:50, 1:45, 3:35, 4:35), 6:30, 7:20, 9:30, 10:15; Sun: (12:50, 1:40, 3:30, 4:20), 6:15, 7:05, 8:55, 9:50; Mon-Thu: (12:50, 1:40, 3:30, 4:20), 6:15, 7, 8:55, 9:45. The Last House on the Left—Fri-Sat: (2:10, 4:50), 7:40, 10:20; Sun: (2:10, 4:50), 7:20, 9:50; Mon-Wed: (2, 4:35), 7:05, 9:35; Thu: (2), 7:05, 9:35. Monsters vs. Aliens—Fri-Sat: (12:35, 2:55, 5:15), 7:30, 9:45; Sun: (12:35, 2:55, 5:15), 7:30; Mon-Thu: (12:45, 3, 5:15), 7:30. Monsters vs. Aliens 3D—Fri-Sat: (11:20 AM, 12, 1:35, 2:15, 3:50, 4:30), 6:05, 6:45, 8:25, 9; Sun: (11:20 AM, 12, 1:35, 2:15, 3:50, 4:30), 6:05, 6:45, 8:20, 9; Mon-Thu: (1:35, 2:15, 3:50, 4:30), 6:05, 6:45, 8:20, 9. Race to Witch Mountain—Fri-Sat: (12:25, 1:55, 3:15, 4:20), 6:05, 6:50, 8:30; Sun: (12:25, 1:55, 3:15, 4:15), 6:05, 6:45, 8:25; Mon-Wed: (12:45, 1:55, 3:15, 4:15), 6:05, 6:45, 8:25; Thu: (12:45, 1:55, 3:15, 4:15), 6:05, 6:45. Taken—Fri-Sat: (1:30, 4:05), 7:15, 9:35; Sun: (1:30, 4:05), 7:10, 9:20; Mon-Thu: (1:05, 3:40), 7:10, 9:20. Tyler Perry's Madea Goes to Jail—Fri-Sat: (12:35, 3:05), 6:35, 9:05; Sun: (12:35, 3:05), 6:30, 9:05; Mon-Thu: (1, 3:25), 6:30, 9:05. Watchmen—Fri-Thu: (1:15, 4:45), 8:10

Carolina Theatre - Durham
309 W Morgan St, Durham, 560-3030

Gomorrah—Fri: 7:30; Sat-Sun: (2, 4:35), 7:30; Mon-Wed: 7:30. The Reader—Fri: 7, 9:20; Sat-Sun: (2:10, 4:30), 7, 9:20; Mon-Wed: 7, 9:20

East Coast Entertainment - Northgate Stadium 10
1056 W Club Blvd, Durham, 286-1001

12 Rounds—Fri-Sun: (11 AM, 1:35, 4:30), 7:20, 9:55; Mon-Thu: (1:35, 4:30), 7:20, 9:55. Duplicity—Fri-Sun: (11:10 AM, 1:40, 4:15), 7, 9:40; Mon-Thu: (1:40, 4:15), 7, 9:40. The Haunting in Connecticut—Fri-Sun: (10:45 AM, 1, 3:10, 5:25), 7:45, 10; Mon-Thu: (1, 3:10, 5:25), 7:45, 10. I Love You, Man—Fri-Sun: (11:20 AM, 1:55, 4:20), 7:20, 9:55; Mon-Thu: (1:55, 4:20), 7:20, 9:55. Knowing—Fri-Sun: (10:50 AM, 1:30, 4:10), 7:10, 9:50; Mon-Thu: (1:30, 4:10), 7:10, 9:50. The Last House on the Left—Fri-Thu: (5:15), 7:40, 10:05. Monsters vs. Aliens—Fri-Sun: (11:30 AM, 1:45, 4), 7, 9:15; Mon-Thu: (1:45, 4), 7, 9:15. Monsters vs. Aliens 3D—Fri-Sun: (10:30 AM, 12:45, 3, 5:15), 7:30, 9:45; Mon-Thu: (12:45, 3, 5:15), 7:30, 9:45. Race to Witch Mountain—Fri-Sun: (10:30 AM, 12:45, 3, 5:20), 7:40, 10; Mon-Thu: (12:45, 3, 5:20), 7:40, 10. Tyler Perry's Madea Goes to Jail—Fri-Sun: (10:30 AM, 12:45, 3), 10:10. Watchmen—Fri-Sun: (10:30 AM, 1:45, 5), 7:10

Carmike Wynnsong 15
1800 Martin Luther King Blvd, Durham, 489-9020

12 Rounds—Fri-Sat: 1:15, 4:10, 7, 9:40, 12:10 AM; Sun-Thu: 1:15, 4:10, 7, 9:40. Altered Courses—Sat: 12 AM. Duplicity—Fri-Sat: 1:20, 4, 7, 9:35, 12:10 AM; Sun-Thu: 1:20, 4, 7, 9:35. The Haunting in Connecticut—Fri: 2:40, 3:10, 5:05, 5:35, 7:30, 8, 10, 10:30, 12:30 AM; Sat: 12:15, 12:45, 2:40, 3:10, 5:05, 5:35, 7:30, 8, 10, 10:30, 12:30 AM; Sun-Thu: 12:15, 12:45, 2:40, 3:10, 5:05, 5:35, 7:30, 8, 10. I Love You, Man—Fri-Sat: 1:30, 4:15, 7:10, 9:50, 12:25 AM; Sun-Thu: 1:30, 4:15, 7:10, 9:50. Knowing—Fri-Sat: 1:10, 4:10, 7, 9:45, 12:30 AM; Sun-Thu: 1:10, 4:10, 7, 9:45. The Last House on the Left—Fri-Sat: 1, 4:10, 7, 9:40, 12:20 AM; Sun-Thu: 1, 4:10, 7, 9:40. Monsters vs. Aliens—Fri: 2:40, 5:05, 7:30, 9:55, 12:20 AM; Sat: 12:15, 2:40, 5:05, 7:30, 9:55, 12:20 AM; Sun-Thu: 12:15, 2:40, 5:05, 7:30, 9:55. Monsters vs. Aliens 3D—Fri: 2:25, 2:55, 4:50, 5:20, 7:15, 7:45, 9:40, 10:10, 12:05 AM; Sat: 12, 12:30, 2:25, 2:55, 4:50, 5:20, 7:15, 7:45, 9:40, 10:10, 12:05 AM; Sun-Thu: 12, 12:30, 2:25, 2:55, 4:50, 5:20, 7:15, 7:45, 9:40, 10:10. The One Lamb—Mon-Thu: 4, 9:50. Paul Blart: Mall Cop—Fri-Sat: 2:55, 5:10, 7:30, 9:50, 12:10 AM; Sun: 12:40, 2:55, 5:10, 7:30, 9:50; Mon-Thu: 12:40, 7:30. Race to Witch Mountain—Fri: 2:25, 4:50, 7:20, 9:45, 12:10 AM; Sat: 12, 2:25, 4:50, 7:20, 9:45, 12:10 AM; Sun-Thu: 12, 2:25, 4:50, 7:20, 9:45. Slumdog Millionaire—Fri-Thu: 1:15, 4, 7, 9:55. Tyler Perry's Madea Goes to Jail—Fri: 2:30, 5, 7:30, 10, 12:30 AM; Sat: 12, 2:30, 5, 7:30, 10, 12:30 AM; Sun-Thu: 12, 2:30, 5, 7:30, 10. Watchmen—Fri: 4:15, 7:45, 11:10; Sat: 12:45, 4:15, 7:45, 11:10; Sun-Thu: 12:45, 4:15, 7:45

Chapel Hill

Chelsea Theater
Timberlyne Village Mall, 1129 Weaver Dairy Rd, Chapel Hill, 968-3005

The Class (Entre les murs)—Fri: 6:50, 9:20; Sat-Sun: (1:50, 4:20), 6:50, 9:20; Mon-Thu: 6:50, 9:20. Slumdog Millionaire—Fri: 7:10; Sat-Sun: (2:10), 7:10; Mon-Thu: 7:10. Two Lovers—Fri: 9:30; Sat-Sun: (4:40), 9:30; Mon-Thu: 9:30. Wendy and Lucy—Fri: 7, 9:10; Sat-Sun: (2, 4:30), 7, 9:10; Mon-Thu: 7, 9:10

Lumina
Southern Village, NC 15-501 South, Chapel Hill, 932-9000

Duplicity—Fri-Thu: (1:10, 4), 7:05, 9:45. Knowing—Fri-Thu: (1:25, 4:10), 7:20, 9:50. Monsters vs. Aliens—Fri-Thu: (12:30, 2:40, 4:50), 7:05, 9:15. Race to Witch Mountain—Fri-Thu: (12:40, 2:50, 5), 7:15, 9:30. Slumdog Millionaire—Fri-Thu: (1:15, 4), 7:15, 9:45

Regal Timberlyne 6
Timberlyne Shopping Center, 120 Banks Dr off Weaver Dairy Rd, Chapel Hill, 933-8600

12 Rounds—Fri-Sat: (11:45 AM, 2:15, 4:40), 7:25, 9:50; Sun-Thu: (12:10, 2:35, 5:05), 7:35. Duplicity—Fri-Sat: (11:35 AM, 4:20), 7:10, 10; Sun-Thu: (12, 2:50), 7:20. I Love You, Man—Fri-Sat: (11:55 AM, 2:10, 4:45), 7:30, 9:55; Sun-Thu: (12:25, 2:55, 5:10), 7:40. Knowing—Fri-Sat: (11:40 AM, 4:25), 7:20, 10:05; Sun-Thu: (12:05, 2:45), 7:25. Monsters vs. Aliens—Fri-Sat: (11:30 AM, 2, 4:30), 7, 9:30; Sun-Thu: (12:15, 2:40, 5), 7:30. Race to Witch Mountain—Fri-Sat: (11:50 AM, 2:05, 4:35), 7:05, 9:40; Sun-Thu: (12:20, 2:30, 4:55), 7:15

Varsity Theatre
123 E Franklin St, Chapel Hill, 967-8665

Che Part One—Fri: 7; Sat-Sun: (2), 7; Mon-Thu: 9:30. Che Part Two—Fri: 9:30; Sat-Sun: (4:30), 9:30; Mon-Thu: 7. Gomorrah—Fri: 6:50, 9:20; Sat-Sun: (1:50, 4:20), 6:50, 9:15; Mon-Thu: 6:50, 9:20

Graham

Graham Cinema
119 N Main St, Graham, (336)226-1488

Slumdog Millionaire—Fri: 7, 9:30; Sat-Sun: 2, 4:30, 7, 9:30; Mon-Thu: 7

Roxboro

Palace Theater
5050 Durham Rd, Roxboro, (336)598-5050

12 Rounds—Fri: (4:45), 7:10, 9:35; Sat: (2:20, 4:45), 7:10, 9:35; Sun: (2:20, 4:45), 7:10; Mon-Wed: (4:45), 7:10; Thu: (1, 4:45), 7:10. Duplicity—Fri: (4:35), 7:10, 9:45; Sat: (2, 4:35), 7:10, 9:45; Sun: (2, 4:35), 7:10; Mon-Wed: (4:35), 7:10; Thu: (1, 4:35), 7:10. The Haunting in Connecticut—Fri: (4:25), 6:45, 9:10; Sat: (2:05, 4:25), 6:45, 9:10; Sun: (2:05, 4:25), 6:45; Mon-Wed: (4:25), 6:45; Thu: (1, 4:25), 6:45. I Love You, Man—Fri: (4:30), 7, 9:20; Sat: (2:10, 4:30), 7, 9:20; Sun: (2:10, 4:30), 7; Mon-Wed: (4:30), 7; Thu: (1, 4:30), 7. Knowing—Fri: (4:35), 7:10, 9:45; Sat: (2, 4:35), 7:10, 9:45; Sun: (2, 4:35), 7:10; Mon-Wed: (4:35), 7:10; Thu: (1, 4:35), 7:10. The Last House on the Left—Fri-Sat: 7:05, 9:30; Sun-Thu: 7:05. Monsters vs. Aliens—Fri: (4:25), 6:55, 9:05; Sat: (2:15, 4:25), 6:55, 9:05; Sun: (2:15, 4:25), 6:55; Mon-Wed: (4:25), 6:55; Thu: (1, 4:25), 6:55. Race to Witch Mountain—Fri: (4:40), 7, 9:10; Sat: (2:15, 4:40), 7, 9:10; Sun: (2:15, 4:40), 7; Mon-Wed: (4:40), 7; Thu: (1, 4:40), 7. Tyler Perry's Madea Goes to Jail—Fri: (4:40); Sat-Sun: (2:10, 4:40); Mon-Wed: (4:40); Thu: (1, 4:40)

Special Showings

Chronological by date and time

Screen/ Society: Wed, Mar 25, 7 pm: Maman est chez le Coiffeur: 2008 French Canadian coming of age film. Duke Campus: Griffith Film Theatre (Bryan Center). —Thu, Mar 26, 7 pm: To the Lighthouse: 1983 adaptation of the Virginia Woolf novel. Nasher Art Museum. —Sun, Mar 29, 8 pm: The Monastery: Documentary about a Danish octogenarian who wants to convert his castle into a monastery. Duke Campus: Griffith Film Theatre (Bryan Center). —Mon, Mar 30, 7 pm: Congorama: French Canadian offering about electric cars, estranged fathers, blood diamonds and more. —Tue, Mar 31, 8 pm: Why Democracy: Double feature of documentaries about democracy. Duke Campus: White Auditorium. http://fvd.aas.duke.edu/screensociety.

Environmental Film Series: Wed, Mar 25, 7 pm: Flow: Documentary on the world's dwindling supply of fresh water. NCSU Campus: Witherspoon Cinema. www.ncsu.edu/cinema.

Durham: A Self-Portrait: Thu, Mar 26, 7 pm: Documentary and educational project on the history and culture of the Bull City. Discussion with filmmaker to follow. Free. Durham Academy: Brumley Performing Arts Building, 3501 Ridge Rd, Durham.

Animal Rights Film Series: Thu, Mar 26, 7 pm: Behind the Mask. Internationalist Books, Chapel Hill. www.internationalistbooks.org.

Winter Film Series: Fri, Mar 27, 8 pm: Their First Mistake, Them Thar Hills, Towed in a Hole, Twice Two: Collection of Laurel and Hardy shorts. $5. NC Art Museum, Raleigh. www.ncartmuseum.org.

Century Center Cinema: Sat, Mar 28, 7 pm: College: Buster Keaton silent film with original score played live by Erich Lieth. $4. Carrboro Century Center.

Pinwheel Film Festival: Sat, Mar 28: Student films. NCSU Campus: Witherspoon Cinema. www.ncsu.edu/cinema/pinwheel.

Fun & Funky Shorts: Tue, Mar 31, 7 pm: ChathamArts presents a screening of art-related short films about outsider artists. $5. Fearrington Barn, Pittsboro. www.chathamarts.org.

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