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Film times and brief film reviews

Film times are good from Thursday, Oct. 9, through Friday, Oct. 17

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Our rating system uses zero to four stars. If a movie has no rating, it has not been reviewed. Signed reviews by Laura Boyes (LB), Grayson Currin (DGC), David Fellerath (DF), Kathy Justice (KJ), Neil Morris (NM).

Opening This Week

BODY OF LIES—As director Ridley Scott's filmmaking technique becomes increasingly indistinguishable from the hyperkinetic stylings of brother Tony, his ability to intertwine subtext with visual razzmatazz becomes more thorny. Drawn from journalist David Ignatius' spy novel Penetration, this game of geopolitical hopscotch plays more like Syriana on speed. A CIA operative, Roger Ferris (Leonardo DiCaprio), and his Machiavellian Langley handler (a portly Russell Crowe) work to capture a notorious international terrorist responsible for suicide bombings throughout Jordan and Europe. William Monahan's screenplay effectively conveys the American intelligence community's failure to appreciate that Islamic terrorism is also a crisis for the Arab world, and a mindset that targets/demonizes a region instead an ideology is doomed to bring about failure and conflagration. Unfortunately, Scott strains to weave the diffuse plot strands into an organized tapestry, leaving several crackerjack action sequences and sturdy performances by DiCaprio, Mark Strong (as head of Jordanian intelligence), and Iranian actress Golshifteh Farahani (as Ferris' nascent love) to shoulder the film. Rated R. —NM

BOOGIE MAN: THE LEE ATWATER STORY—Stefan Forbes' examination of the Republican political operative, George H.W. Bush campaign manager, and Karl Rove mentor Lee Atwater often functions best as a survey of the scoundrel politics that led to 12 years of Bush governance, not an in-depth, intimate study of Atwater himself. As Michael Dukakis insists, had Atwater not defeated him with smear-and-scare tactics, George W. Bush—who became Atwater's close friend on the 1988 campaign trail—may never have ascended to the White House. Still, during the 87-minute documentary, Atwater often unfolds as a fascinating hyper-energetic ball of self-motivation, fueled by his paradoxes (Was he a racist? Did he care about issues? Did he lie to everyone?) and his plights (He was, after all, a South Carolina po' boy running with the Kennebunkport elite). But, for such a fascinating subject, we're often left with mere speculation about Atwater's motivations and meanings. By film's end, you simply know about Atwater—you don't know Atwater. Due to his (arguably) untimely death, it's possibly as close as we'll ever get to understanding him. Not rated. —DGC

CITY OF EMBER—As the film tells us at the outset, "on the day the world ended," survivors are embedded in an underground metropolis, with boxed instructions on how to regain the surface after Ember's bicentennial. As the massive generator disintegrates, telegraphing doom, two plucky teens, Lina (spooky Saoirse Ronan from Atonement) and Doon (goth-y Harry Treadaway) have to parse the puzzle box before civilization as they know it collapses. Post-apocalyptic, yes, but this is also clearly a metaphor for the disaster that is the Bush/ Cheney End of Days. Still, dwindling supplies, a collapsing economy and state corruption cannot quite extinguish the spark of life in a few old timers, such as Doon's dad, played by Tim Robbins, and an ancient fitter of even more ancient pipes, Martin Landau. City, based on Jeanne Duprau's novel and directed by Gil Kenan (Monster House), moves briskly—aided by Martin Laing's Victorian tinkerer production design and Ruth Myers' knitty costumes—as Lina and Doon approach gigantic creatures—or salvation—lurking just outside. Rated PG. —LB

THE DUCHESS—The always-lovely Keira Knightly reaches again for period prestige as the charismatic Georgiana Cavendish, the 18th Century Duchess of Devonshire. The formulaic screenplay follows the palace melodrama blueprint—unhappy matrimony, difficulty siring a male scion, husband takes a mistress, spurned wife takes a younger hunky lover—that comprises the narrative to countless cinematic forerunners. Knightly is the film's slinky center, and Ralph Fiennes steals his every scene as the passive-aggressive Duke of Devonshire. But, in lieu of sounding a feminist note grounded in Georgiana's renowned, ultramodern political activism, Director Saul Dibb consigns Georgiana to the status of a victim embroiled in tawdry love triangles and sudsy intrigue. Read our review. Rated PG-13. —NM

THE EXPRESS—This might be the story of Ernie Davis (Rob Brown), the first African American to win college football's Heisman Trophy. But it's the recurring apparition of Jim Brown (Darrin Dewitt Henson), Davis' running back predecessor at Syracuse University, whose complex personality gives sorely needed heft to this rote biopic. Whites are raging racists, African Americans are virtuous, and in the middle is Coach Ben Schwartzwalder (Dennis Quaid), an imperfect personification of the conflicting camps. Every run by Davis is momentous, every game a microcosm of societal struggle and everywhere the incessant music cues our emotional response; seriously, will someone please tell these directors they need not saturate every moment of screen time with fanfares? Quaid's blustery brio keeps matters entertaining, but the film fares best when graded on a curve, compared to such woeful kinsman as Glory Road and Remember the Titans. Rated PG. —NM

I SERVED THE KING OF ENGLAND—Director Jirí Menzel made his international reputation with Closely Watched Trains, an adaptation of a tale by the noted author Bohumil Hrabal that appeared at the height of the Czech Prague Spring of 1968. His latest is another Hrabal adapation, and at its best it contains the buoyant humanism of Chaplin and Renoir. It's a Candide-like tale of a diminutive nobody named Jan Díte, a wide-eyed hustler who bounces from job to job, playing tricks with his money and coaxing one lass after another out of her clothes. Still, when nasty Nazis arrive for the third act, we have conflicting responses: First, there is relief, for we realize the whimsy is going to have a point; second, there is weary resignation: Oh no, not the Nazis again. What we have is a mildly amusing comedy in which every female under 30 can be relied upon to disrobe. That may be a harmless enough night out at the movies, but it's surely something less than what Hrabal intended when he was alive and writing under very different circumstances. Read our review. Rated R.—DF

QUARANTINE—A TV camera crew is quarantined in an apartment building while investigating reports of a woman infected with a rare strain of rabies. Blood-curdling shrieks ensue. Rated R.

Current Releases

AN AMERICAN CAROL—A "fictional" lefty filmmaker who looks an awful lot like Michael Moore learns that he was wrong to hate America. Please... God... make... it... stop. Rated PG-13.

BEVERLY HILLS CHIHUAHUAMilo and Otis meets "Yo Quiero Taco Bell." The No. 1 movie in America, that's right. Rated PG.

BLINDNESS—An unnamed city is suddenly afflicted with an outbreak of contagious blindness. A quarantine fails to contain the virus, and the spreading contagion leads to a breakdown of the civic—and human—order. Not a bad premise for a novel by a Nobel Prize-winning author—as this is, by José Saramago. However, director Fernando Meirelles doesn't seem to realize this is also the plot of every zombie flick ever made, and of more than a few arty films (in recent years, 28 Days Later, Children of Men). Whether they're pop horror or highbrow horror, the makers of those films have a sense of their audience and the needemovie vocabulary. The all-star cast of Mark Ruffalo, Julianne Moore, Gael García Bernal, Danny Glover and others can't bring this draggy, dull film to life. Rated R. —DF

BURN AFTER READING—A CIA agent abruptly dumped from the Balkans desk (John Malkovich) fumes that the agency is all bureaucracy and no mission. Frances McDormand and Brad Pitt, a couple of clueless personal trainers, stumble onto a computer disc of his bitter, rambling autobiography, which they fancy they can turn into ready cash—somehow. Burn After Reading depicts an irritable society where everyone is going ballistic, shrieking "What the f---?" at the telephone, at the boss, at the traffic, at their spouses and sex partners and futilely at the whole world. People exercise and hydrate frantically, joylessly, the same way they have sex, and blather about "reinvention." Like an intricate musical contraption, the people surveilling, stalking and intriguing will cross paths in writer/ directors Joel and Ethan Coen's signature style of bizarre characters and slashing humor. A phone call, a car, a gun or a hatchet will be wielded as paranoia inevitably intersects with delusion. Rated R. —LB

THE DARK KNIGHT—While terrific, Christopher Nolan's latest Batman tale is not the masterpiece many would proclaim. The storyline is at times bloated and meandering, but the late Heath Ledger's performance is so mesmerizing that it transcends the real-life tragedy surrounding his final bow: He emotes equal parts menace, humor, eeriness, melancholy and even charisma. Rated PG-13. —NM

EAGLE EYE—A crackerjack premise riffing on our omnipresent technological age rapidly devolves into a pseudo-political howler. Shia LeBeouf and Michelle Monaghan are strangers who find themselves enslaved by the techno machinations of an unknown, omnipotent force. Matters remain suitably taut while the antagonist's identity and motives remain cloaked in mystery. Unfortunately, a HAL-meets-Skynet supercomputer enters the film. Four credited screenwriters slap on layers upon layers of twists and turns in hopes of stumbling upon a sensible endgame. Tack on half-baked, political invective directed against the war on terrorism and the PATRIOT Act, and you have a film geared chiefly toward paranoid conspiracy theorists. Rated PG-13. —NM

DRONA (SAVIOR OF THE WORLD)—An epic fairy tale drawn from myriad sources, Drona's surest road map may simply be Joseph Campbell's The Hero with a Thousand Faces. Powerful forces have stashed Adi (Abhishek Bachchan) in chilly Prague for safekeeping. A simple shop clerk, (in spite of the eerie blue rose petals drifting through the window like owl posts, and a gaudy gold cuff gifted to wear under the sleeve of his grubby hoodie) he's really a knight destined to protect the elixir of immortality from the clutches of demon magician Riz Raizada (Kay Kay Menon). Enlightenment dawns when Sonia, his Xena-ish bodyguard (Priyanka Chopra) appears in a bright yellow Alpha Romeo just in time to save him from a hoard of Dementors. Imaginative production design, almost good enough CGI, Kay Kay's enthusiastic scenery chewing (he has a catchphrase Gustakhi Maf (forgive my impertinence) and a crazy Alfalfa hairdo) and Abhishek's sexy brooding makes Drona diverting, if not magnificent. Not rated. —LB

FLASH OF GENIUS—The true-life account of Robert Kearns' lone stand against a corporate giant who wronged him reads like low-hanging, Capra-esque fruit ripe for Hollywood's picking. After inventing the intermittent windshield wiper in the early 1960s, Kearns' process was pilfered by the Ford Motor Co. sans credit or compensation. So began decades of legal wrangling that would consume Kearns and shatter his personal life. Kearns is not quixotic in the classic sense, but his fixation on cockeyed idealism over practicality complicates a story in which the ideal and practical are both honorable and mutually exclusive. Unfortunately, debut director Marc Abraham seems incapable of amplifying this subtext, falling back instead on a hackneyed presentation and murky visuals that skirt any in-depth psychoanalysis or moral ambiguity. PG-13. —NM

GHOST TOWN—Dr. Bertram Pincus (Ricky Gervais) discovers that, after an anesthesia glitch during a routine colonoscopy, he can see ghosts. Gervais plays an unlikable guy, listless and anti-social to the point of petty cruelty, but somehow makes him not just funny but sympathetic. He's the heartbeat of a movie that enjoys the comic skills of Greg Kinnear as pushy Frank (dead, he still compulsively searches for a Blackberry signal), appealing Tea Leoni (one of the few 40-ish actresses not disfigured by botox) and especially The Daily Show's Aasif Mandvi as Dr. Pinchas's polite—until-pushed dental partner. My expectations were low for this film, especially given the dumb trailers. But, I laughed, I cried. Who knew? Rated PG-13.

HOW TO LOSE FRIENDS AND ALIENATE PEOPLE—Simon Pegg (Hot Fuzz, Shaun of the Dead) stars as a hack journalist way out of his league. Rated R.

IGOR -- Hunchback dreams big. Rated PG.

KIDNAP—The world's richest Indian (Sanjay Dutt) is forced to play mind games with a hot young kidnapper (Imran Khan) who has abducted his estranged daughter (Minissha Lamba). Director Sanjay Gadhvi (the Dhoom series mastermind) has concocted a thoroughly far fetched, but deeply Indian meditation on nature/nurture that hearkens back to an icon of Hindi cinema, Awaara, in which a good boy is forced into a life of crime. Imran, an up and coming star, seems too nice to have devised such a devilish plan, Minissha's new bikini-ready breast implants are distracting and action-movie paragon Sanjay Dutt looks sadly weary. This is Sanjay's first film after his latest jail term for a 15-year-old arms trafficking charge, and his character refuses to carry a gun—"since they are for the police or criminals"—reminding us all that he has learned his lesson. Not rated. —LB

LAKEVIEW TERRACE—For fun, squint hard and try seeing this as an examination of the disparate viewpoints on Obamamania. In one corner, we have him as GOP bogeyman: an upper-middle-class African-American wielding authority. Across the ring is a lefty, Prius-driving, multi-culti type besieged by society's prejudices and governmental intrusion into their private lives. Trust me, that correlation is not nearly as silly as this ugly, unpleasant thriller about a widowed LAPD cop, Abel Turner (Samuel L. Jackson), who unleashes his anti-miscegenation demons onto an interracial couple (Patrick Wilson and Kerry Washington) who move next door. Rated PG-13. —NM

MAMMA MIA!—The film adaptation of the long-running musical, based on ABBA's songbook, is a garish affair that treads the line between show-stopping and surreal. Most of the film is histrionics and caterwauling—I'd rather hear a Ringo Starr revue than one more note from Pierce Brosnan. Rated PG-13. —NM

MIRACLE AT ST. ANNA—The sad truth is that if this had been made by anyone other than Spike Lee, it would be roundly dismissed as a hyper-reductive, racist rant. Written with the sophistication of a Robert Benigni script, this World War II epic failure trades in childish whimsy and equal-opportunity racial stereotyping. In 1983, postal clerk Hector Negron (Laz Alonso) guns down a man who tries to buy some stamps. The mystery over why Hector shot the man and why Hector has a priceless statue head stowed away in his bedroom closet forms the uneasy foundation for the rest of the film, which flashes back to 1944 and follows a group of four black GIs through the Tuscan war theater. The scope of James McBride's lunkheaded screenplay, adapted from his own novel, is as tone-deaf as it is insulting, distilling WWII to a mere extension of America's race war. Tack-on Terence Blanchard's nails-on-a-chalkboard orchestration, and you have bloated, meandering misfire that is as unbearable after 5 minutes as it is by the end of its unfathomable 2 hours, 40 minutes running time. Rated R. —NM

MOVING MIDWAY—Longtime Indy film critic Godfrey Cheshire follows his family's decision to relocate their ancestral Midway plantation home as a means to save it from suburban sprawl in Knightdale. The impressive result is a personal, historical and literal odyssey. Against the backdrop of the actual move, Cheshire scales the once concealed, now forgotten branches of his family tree that include African-American progeny of Midway's founder. Still, the documentary's true jolt—and enduring lesson—comes when the erstwhile plantation land is finally flattened and bulldozed to make way for a cookie-cutter shopping center and a residential subdivision, "Mingo Creek," named for the West African slave who accompanied Cheshire's ancestors to the Piedmont in the mid-1700s. In that sense, Midway is ultimately reclaimed by the very thing that gave rise to it in the first place: commerce. Not rated. —NM

MY BEST FRIEND'S GIRL—Dane Cook plays the misogynistic Tank, who specializes as a breakup doctor: He takes men's ex-girlfriends out on hell-dates, which force them back to their former lovers' arms. It's all fun and games until Tank attempts his moves on his best friend's lady and falls in love instead. This film's crassness outweighs its cheeky charm with plenty of shallow characterizations of stupid women who play the roles of puritanical prigs or sweaty nymphs. Rated R. —KJ

NICK AND NORAH'S INFINITE PLAYLIST—The feature-length sophomore effort of director Peter Sollett (Raising Victor Vargas) is an eclectic mix tape, intertwining alt-rock edginess with sappy love ballads while elevator music drones incessantly in the background. When the title characters meet-cute, they embark on an all-night odyssey to track down New York City's most popular indie rock band while coming to grips with loves both lost and newly found. Sollett fashions a nocturnal valentine to New York City, particularly its alternative club scene, and fosters a buoyant sense of time and place. Cera successfully reprises his Arrested Development persona, and the film's final half-hour presents a satisfying, Linklater-like apogee of romantic discovery. Unfortunately, the rest of the screenplay and supporting characters are like the single, icky piece of chewing gum that winds its way through the entire evening: flavorless and highly disposable. Rated PG-13. —NM

NIGHTS IN RODANTHE—In this romance based on the novel by New Bern's Nicholas Sparks, we meet Dr. Paul Flanner (Richard Gere) as he sets out for a trip, which ends at an oceanfront B&B on Hatteras Island. Tending the inn is Adrienne (Diane Lane), herself torn over an invitation to reunite with her estranged husband. Gere's presence sates the romantic appetites of the film's target audience. But the actor's feathered coif and trademark twinkle don't suit his character, a man purportedly racked with guilt. Nevertheless, the treacly plot is mere background noise for a distinctly local visual ode. Sparks might peddle in pap, but it's our pap, dagnabit. Rated PG-13. —NM

RELIGULOUS—Despite Bill Maher's barely tolerable smarm and consistent celebrity condescension, this send-up of both religious belief and the sociopolitical systems it spawns mostly succeeds as a call for common sense. Maher gathers alternately comical and quizzical interviews with religious scientists, zealots, politicians and truckers (worshiping at a Charlotte Truckers Chapel incorrectly identified in Raleigh). In mash-up fashion, those interviews are spliced by pop culture ephemera—scenes from Superbad and Scarface, for instance—and Maher's own monologues. It culminates in a smart, sincere plea for those of little faith to unite and demand that the country be run on logic, not loyalty to god. Maher, of course, mostly ignores the benefits of communities organizing around a cause, one of many reductions that reveals Religulous as a foregone conclusion. It's a Bill Maher film, after all: In his universe, humor and hubris are acceptable substitutes for honesty and fairness. At least he offers enough courage and insight here to make his demands on his world and his audience interesting. Rated R. —DGC

RIGHTEOUS KILL—Evoking the macabre, uneasy collaborations between Boris Karloff and Bela Lugosi during the latter days of their careers, Robert De Niro and Al Pacino share the screen as aging NYPD cops on the trail of a serial killer. The first and by no means only problem with the ponderous screenplay by Russell Gewirtz (Inside Man) is that it telegraphs the identity of the purported killer up front, ensuring that either the rest of the film is a gigantic waste of time or that there is going to be a twist ending you can see coming a mile away—and the film will still be a gigantic waste of time. Rated R. —NM

TRANSSIBERIAN—Today's so-called Hitchcockian thrillers are nothing more than a series of shock edits and cheap, music-cued jolts. As a representative of a badly degraded genre, Brad Anderson's thriller—a tale of treachery and drug trafficking aboard a train traveling from Beijing to Moscow—has a certain workmanlike integrity. Even if the film has pleasurable associations with such Alfred Hitchcock efforts as The Lady Vanishes and North by Northwest, it does take a detour into more modern sensibilities with a gruesome scene that owes more to Hostel. Woody Harrelson and Emily Mortimer star as a Christian missionary couple while Ben Kingsley plays a stranger you don't want to meet on a train. Rated R. —DF

TYLER PERRY'S THE FAMILY THAT PREYS—Wealthy socialites go on a road trip to discover themselves and escape the self-centered schemes and affairs of their children. Then they all learn a valuable lesson. Rated PG-13.

THE WOMEN—Meg Ryan, Annette Bening and Eva Mendes star in a completely unnecessary remake/ update/ travesty of the bitter 1939 bon-bon starring Norma Shearer, Rosalind Russell and Joan Crawford. It may seem quaint to see Park Avenue ladies living only for luncheon, shopping, gossip and the sex that gets them either a wedding ring or a fur coat, but I'm weary of hearing the George Cukor version described as anti-feminist. Those fierce actresses put the modern ones, nattering their gummy, indigestible lumps of female empowerment platitudes, to shame. Pointy shards of original dialogue surface unexpectedly, but these new Women substitute vulgarity for wit. Rent the Cukor version, I'm begging you. Rated PG-13. —LB


Film times were updated Friday, Oct. 10.

Due to the possibility of last-minute scheduling changes, we recommend calling ahead to theaters to confirm final showtimes.

Raleigh

Regal Beaver Creek Stadium 12
Beaver Creek Shopping Center, off NC 55, Apex, 676-3456

Appaloosa—Fri-Sat: 1:40, 3:40, 7:40, 10:30; Sun-Thu: 1:40, 3:40, 7:35, 10:10. Beverly Hills Chihuahua—Fri-Thu: 1, 3:20, 6:20, 8:40. Blindness—Fri-Thu: 2:10, 7:15. Body of Lies—Fri-Sat: 1:20, 4:20, 7:20, 10:20; Sun-Thu: 1:20, 4:20, 7:20, 10:05. Burn After Reading—Fri-Thu: 6:45, 9:10. City of Ember—Fri-Sat: 12:30, 2:50, 5:10, 7:30, 9:50; Sun-Thu: 12:30, 2:50, 5:10, 7:30, 9:45. Eagle Eye—Fri-Sat: 1:10, 3:50, 7:10, 10; Sun-Thu: 1:10, 3:50, 7:10, 9:55. The Express—Fri-Thu: 12:40, 3:40, 6:40, 9:40. Flash of Genius—Fri-Thu: 4:15, 9:30. How to Lose Friends & Alienate People—Fri-Sat: 4:50, 9:55; Sun-Thu: 4:50, 9:50. Igor—Fri-Thu: 2, 4:30. Lakeview Terrace—Fri-Thu: 1:05, 7. Nick & Norah's Infinite Playlist—Fri-Thu: 1:50, 4:10, 6:30, 8:50. Nights in Rodanthe—Fri-Thu: 1:30, 4, 6:50, 9:20. Quarantine—Fri-Sat: 12:50, 3:10, 5:30, 7:50, 10:10; Sun-Thu: 12:50, 3:10, 5:30, 7:50, 10

Carmike Blue Ridge 14 Cinema
600 Blue Ridge Rd, Raleigh, 645-1111

Get Smart—Fri-Thu: 1:20, 4:10, 7:10, 9:50. Hancock—Fri-Thu: 1:45, 4:30, 7, 9:30. Henry Poole Is Here—Fri-Thu: 1:20, 4:10, 7, 9:45. Indiana Jones and the Kingdom of the Crystal Skull—Fri-Thu: 7, 9:55. Journey to the Center of the Earth—Fri-Thu: 2, 3:15, 4:45, 5:30, 7, 7:45, 9:15. Kung Fu Panda—Fri-Thu: 1, 3:15, 5:30, 7:45, 10. Mamma Mia!—Fri-Thu: 1:20, 4:10, 7:10, 9:50. The Mummy: Tomb of the Dragon Emperor—Fri-Thu: 1:15, 4, 7, 9:45. Pineapple Express—Fri-Thu: 1:20, 1:45, 4:10, 4:35, 7, 7:20, 9:45, 10. Space Chimps—Fri-Thu: 1:50, 4. Step Brothers—Fri-Thu: 1, 3:15, 5:30, 7:45, 10. WALL-E—Fri-Thu: 1:15, 1:45, 4, 4:30, 7, 7:30, 9:30, 9:55

Regal Brier Creek Stadium 14
8611 Brier Creek Pkwy, Raleigh, 484-9994

Appaloosa—Fri-Thu: (12:45, 4:05), 6:50, 9:35. Beverly Hills Chihuahua—Fri-Thu: (2:20, 4:45), 7:40, 10:10. Blindness—Fri-Thu: (12:40 AM). Body of Lies—Fri-Thu: (12:30, 4), 7, 9:55. City of Ember—Fri-Sat: (2:10, 4:55), 7:25, 9:45, 12:05 AM; Sun-Thu: (2:10, 4:55), 7:25, 9:45. The Duchess—Fri-Thu: (2:05, 4:50), 7:35, 10:20. Eagle Eye—Fri-Thu: (12:55, 4:10), 7:10, 10:15. The Express—Fri-Thu: (12:50, 3:50), 6:55, 9:50. Fireproof—Fri-Thu: (1, 4:20), 7:15, 10. Flash of Genius—Fri-Thu: (4:25), 10:25. How to Lose Friends & Alienate People—Fri-Thu: (2). Lakeview Terrace—Fri-Thu: (4:30), 7:20, 10. Miracle at St. Anna—Fri: (12:35), 7:05; Sat: 7:05; Sun-Thu: (12:35), 7:05. Nick & Norah's Infinite Playlist—Fri-Thu: (2:25, 4:40), 7:45, 10:10. Nights in Rodanthe—Fri-Thu: (2:15, 5), 7:45, 10:30. Quarantine—Fri-Sat: (2:10, 4:35), 7:30, 9:40, 12 AM; Sun-Thu: (2:10, 4:35), 7:30, 9:40. Tyler Perry's The Family That Preys—Fri-Sun: (4:15), 7:20, 10:05; Mon: (4:15); Tue-Thu: (4:15), 7:20, 10:05

Carmike Fifteen
5501 Atlantic Springs Rd, Raleigh, 645-1111

An American Carol—Fri-Thu: (1, 3:10, 5:20), 7:40, 9:50. Beverly Hills Chihuahua—Fri-Thu: (1, 3:10, 5:20), 7:30, 9:40. Blindness—Fri-Thu: (1, 4), 7, 9:55. Body of Lies—Fri-Thu: (1:15, 2, 4:15, 5), 7:10, 8, 10. City of Ember—Fri-Thu: (1, 3:15), 5:40, 7:50, 10. Eagle Eye—Fri-Thu: (1, 4), 7, 9:55. The Express—Fri-Thu: (1, 4), 7, 9:55. Firehouse Dog—Sat: (1). How to Lose Friends & Alienate People—Fri-Thu: (4), 9:50. Lakeview Terrace—Fri-Thu: (1:30, 4:30), 7:10, 9:50. Mirrors—Fri-Thu: (1:15, 4:05), 7:05, 9:45. Nick & Norah's Infinite Playlist—Fri-Thu: (1, 3:10, 5:20), 7:30, 9:40. Nights in Rodanthe—Fri-Thu: (1, 3:15), 5:30, 7:45, 10. Quarantine—Fri-Thu: (1, 3:15), 5:30, 7:45, 10:10. The Shining—Tue: 7; Thu: 7. Tyler Perry's The Family That Preys—Fri-Thu: (1:20, 4:10), 7:10, 9:50. The Women—Fri-Thu: (1:10), 7:20

Colony Theatres
Colony Shopping Center, 5438 Six Forks Rd, Raleigh, 856-0111

I Served the King of England (Obsluhoval jsem anglickeho krale)—Fri-Sun: (2, 4:30), 7, 9:20; Mon-Thu: 7, 9:20. Religulous—Fri-Sun: (2:15, 4:45), 7:15, 9:30; Mon-Thu: 7:15, 9:30

Regal Crossroads 20
501 Caitboo Ave, Crossroads Shopping Center, Cary, 226-2000

An American Carol—Fri-Sat: 2:50, 5:50, 8:40, 11:10; Sun-Thu: 2:50, 5:50, 8:40. Appaloosa—Fri-Sat: 1:50, 5:15, 8:30, 11:15; Sun-Thu: 1:50, 5:15, 8:30. Beverly Hills Chihuahua—Fri-Thu: 1:25, 2:25, 4:05, 5:30, 6:35, 7:50, 9:05. Billy: The Early Years—Fri-Sat: 1:15, 3:50, 6:50, 9:10, 11:30; Sun-Thu: 1:15, 3:50, 6:50, 9:10. Blindness—Fri-Thu: 4:55, 10:15. Body of Lies—Fri-Sat: 1, 2, 4, 4:50, 7, 8, 10, 11; Sun-Thu: 1, 2, 4, 4:50, 7, 8, 10. Burn After Reading—Fri-Thu: 2:40, 7:55. City of Ember—Fri-Thu: 12:30, 2:45, 5, 7:15, 9:30. The Duchess—Fri-Sat: 12:40, 3:10, 5:45, 8:15, 10:50; Sun-Thu: 12:40, 3:10, 5:45, 8:15. Eagle Eye—Fri-Sat: 12:50, 2:20, 5:05, 8:10, 9:15, 10:55; Sun-Thu: 12:50, 2:20, 5:05, 8:10, 9:15. The Express—Fri-Thu: 1:30, 4:20, 7:10, 10:05. Fireproof—Fri-Thu: 1:45, 4:45, 7:35, 10:20. Flash of Genius—Fri-Sat: 2:30, 5:20, 8:45, 11:25; Sun-Thu: 2:30, 5:20, 8:45. How to Lose Friends & Alienate People—Fri-Thu: 3:45, 6:15. Lakeview Terrace—Fri-Thu: 1:35, 6:25. Miracle at St. Anna—Fri-Sat: 12:35, 3:55, 7:25, 10:45; Sun-Thu: 12:35, 3:55, 7:25. My Best Friend's Girl—Fri-Thu: 9. Nick & Norah's Infinite Playlist—Fri-Thu: 12:55, 3:05, 5:35, 8:20, 10:30. Nights in Rodanthe—Fri-Thu: 1:10, 4:15, 7:45, 10:10. Quarantine—Fri-Thu: 2:15, 4:30, 7:30, 9:40

Galaxy Cinema
770 Cary Towne Blvd, Cary, 463-9989

Blindness—Fri-Thu: (1:15). Boogie Man: The Lee Atwater Story—Fri-Thu: (1:05), 7:05. Burn After Reading—Fri-Thu: (4:15), 7:10, 9:20. Drona—Fri-Sun: (3:20), 6:30; Mon: (3:30); Tue-Thu: (3:30), 7:30. The Duchess—Fri-Thu: (1:10, 4), 7, 9:25. I Served the King of England (Obsluhoval jsem anglickeho krale)—Fri-Thu: (1:25, 4:10), 7:15, 9:30. Kidnap—Fri-Sun: 9:45; Mon-Thu: (3:20). Presidential Debate LIVE—Wed: 9. Religulous—Fri-Thu: (1:30, 4:25), 7:15, 9:35. Transsiberian—Fri-Thu: (1)

UA Garner Town Square 10
2600 Timber Dr, Garner, 779-2212

Beverly Hills Chihuahua—Fri-Sat: (1:45, 4:30), 7:25, 9:50; Sun-Thu: (1:45, 4:30), 7:25. Body of Lies—Fri-Sat: (1:15, 4:10), 7:10, 10:05; Sun-Thu: (1:15, 4:10), 7:10. City of Ember—Fri-Sat: (1:40, 4:25), 7:20, 9:40; Sun-Thu: (1:40, 4:25), 7:20. Eagle Eye—Fri-Sat: (1:30, 4:20, 7), 9:35; Sun-Thu: (1:30, 4:20, 7). The Express—Fri-Sat: (1:20, 4:15), 7:15, 10:10; Sun-Thu: (1:20, 4:15), 7:15. How to Lose Friends & Alienate People—Fri-Thu: (2). Lakeview Terrace—Fri-Sat: (1:25, 4), 7:35, 10:20; Sun-Thu: (1:25, 4), 7:35. Nick & Norah's Infinite Playlist—Fri-Sat: (1:50, 4:35), 7:45, 9:55; Sun-Thu: (1:50, 4:35), 7:45. Nights in Rodanthe—Fri-Sat: (4:40), 7:40, 10; Sun-Thu: (4:40), 7:40. Quarantine—Fri-Sat: (1:55, 4:45), 7:30, 10:15; Sun-Thu: (1:55, 4:45), 7:30. Tyler Perry's The Family That Preys—Fri-Sat: (1:35, 4:05), 7:05, 9:45; Sun-Thu: (1:35, 4:05), 7:05

Wachovia IMAX Theatre at Marbles Kids Museum
201 E Hargett St, Raleigh, 834-4040

Bugs! in 3D—Fri-Sat: 12, 3; Sun: 1, 3; Tue: 12, 2; Wed: 10 AM, 4; Thu: 11 AM, 2. The Dark Knight: The IMAX Experience—Fri-Sat: 7:30, 10:25; Sun-Thu: 7:30. Grand Canyon Adventure: River at Risk 3D—Fri: 11 AM, 2, 4; Sat: 10 AM, 2; Sun: 12, 4; Wed: 12, 2; Thu: 10 AM, 1, 3. U2 3D—Fri-Thu: 5:30. Wild Ocean 3D—Fri: 10 AM, 1; Sat: 11 AM, 1, 4; Sun: 11 AM, 2; Tue: 10 AM, 1, 3; Wed: 11 AM, 1, 3; Thu: 12, 4

Mission Valley Cinema
2109-124 Avent Ferry Rd, Raleigh, 834-2233

Beverly Hills Chihuahua—Fri-Thu: (1, 3, 4:55), 7:10, 9:20. Eagle Eye—Fri-Thu: (1:10, 4), 7, 9:45. The Express—Fri-Thu: (1:20, 4:15), 7, 9:45. Nick & Norah's Infinite Playlist—Fri-Thu: (1, 2:55, 4:50), 7:20, 9:40. Nights in Rodanthe—Fri-Thu: (1:15, 4:05), 7:15, 9:40

Regal North Hills Stadium 14
4150 Main at North Hills St, Raleigh, 786-4511

Appaloosa—Fri-Sat: (12, 2:40, 5:25), 8:05, 11; Sun-Thu: (12, 2:40, 5:25), 8:05. Beverly Hills Chihuahua—Fri: (12:20, 5:20), 7:45, 10:15; Fri: (2:55); Sat: (12:20); Sat: (2:55, 5:20), 7:45, 10:15; Sun: (12:20), 10:15; Sun: (2:55, 5:20), 7:45; Mon: (2:55, 5:20), 10:15; Mon: (12:20), 7:45; Tue-Thu: (12:20, 2:55, 5:20), 7:45, 10:15. Body of Lies—Fri-Thu: (1:05, 4:20), 7:15, 10:10. Burn After Reading—Fri-Thu: (12:15, 2:45), 7:55. Cirque du Soleil DELIRIUM—Wed: 7. City of Ember—Fri-Sat: (12:30, 2:50, 5:10), 7:30, 9:50, 12:10 AM; Sun-Thu: (12:30, 2:50, 5:10), 7:30, 9:50. Eagle Eye—Fri-Thu: (12:50, 4:15), 7:10, 9:55. The Express—Fri-Thu: (1, 4:05), 7, 9:55. Fireproof—Fri-Thu: (12:45, 4:30), 7:20, 10:05. Flash of Genius—Fri-Thu: (5:05), 10:15. How to Lose Friends & Alienate People—Fri-Thu: 9:45. Lakeview Terrace—Fri-Thu: (12:40, 4:10), 7:35, 10:30. The Metropolitan Opera: Salome—Sat: 1. Miracle at St. Anna—Fri: (12:35, 4), 7:25, 11:05; Sat: (4), 11:05; Sun: (12:35, 4), 7:25; Mon: (12:35, 4); Tue-Thu: (12:35, 4), 7:25. Nick & Norah's Infinite Playlist—Fri-Sat: (12:05, 2:30, 5), 7:40, 10, 12:15 AM; Sun-Mon: (12:05, 2:30, 5), 7:40, 10; Tue: (12:05, 5), 7:40; Tue: (2:30), 10; Wed: (2:30, 5), 10; Wed: (12:05), 7:40; Thu: (12:05, 5), 7:40; Thu: (2:30), 10. Nights in Rodanthe—Fri-Thu: (12:25, 3, 5:30), 7:50, 10:25. Quarantine—Fri-Sat: (12:10, 2:35, 5:15), 8, 10:20, 12:30 AM; Sun-Thu: (12:10, 2:35, 5:15), 8, 10:20. Sex Drive—Sat: 7:30. Tyler Perry's The Family That Preys—Fri: (12:55, 4:25), 7:05; Sat: (4:25), 7:05; Sun-Tue: (12:55, 4:25), 7:05; Wed: (12:55, 4:25); Thu: (12:55, 4:25), 7:05

Carmike Park Place 16
9525 Chapel Hill Rd, Morrisville, 645-1111

An American Carol—Fri-Thu: (1, 3:10, 5:20), 7:40, 9:50. Beverly Hills Chihuahua—Fri-Thu: (1, 3:10, 5:20), 7:30, 9:45. Blindness—Fri-Thu: (4), 9:55. Body of Lies—Fri-Thu: (1:15, 4:15), 7:10, 10. Burn After Reading—Fri-Thu: (1:30, 4:15), 7:15, 9:40. City of Ember—Fri-Thu: (1, 3:15), 5:40, 7:50, 10. The Duchess—Fri-Thu: (1:30, 4:30), 7:10, 9:50. Eagle Eye—Fri-Thu: (1, 4), 7, 9:55. The Express—Fri-Thu: (1, 4), 7, 9:55. Ghost Town—Fri-Thu: (1:40, 4:20), 7:15, 9:45. How to Lose Friends & Alienate People—Fri-Thu: (1:20), 7:20. Igor—Fri-Thu: (1, 3:10, 5:20), 7:30, 9:40. Lakeview Terrace—Fri-Thu: (1:20), 7:20. Nick & Norah's Infinite Playlist—Fri-Thu: (1, 3:10, 5:20), 7:30, 9:40. Nights in Rodanthe—Fri-Thu: (1, 3:15), 5:30, 7:45, 10. Quarantine—Fri-Thu: (1, 3:15), 5:30, 7:45, 10:10. Righteous Kill—Fri-Thu: (4:20), 10. Tyler Perry's The Family That Preys—Fri-Thu: (4:10), 9:50. The Women—Fri-Thu: (1:10), 7

Regal Raleigh Grande Stadium 16
Corner of Glenwood Ave and Lynn Rd, Raleigh, 226-2000

An American Carol—Fri-Sun: 1, 3:10, 5:30, 7:35, 9:40; Mon-Tue: 1:15, 3:20, 5:25, 7:45, 10; Wed: 11 AM, 1:15, 3:20, 5:25, 7:45, 10; Thu: 1:15, 3:20, 5:25, 7:45, 10. Appaloosa—Fri-Sun: 1:30, 4:15, 7:25, 10; Mon-Thu: 1, 3:35, 6:55, 9:30. Beverly Hills Chihuahua—Fri-Sun: 12:15, 2:35, 4:55, 7:15, 9:35; Mon-Thu: 1:30, 4:10, 6:30, 8:50. Billy: The Early Years—Fri-Sun: 12:25, 2:45, 5:10, 7:30, 9:55; Mon-Thu: 1:45, 4:15, 6:50, 9:10. Blindness—Fri-Sun: 2, 7:20; Mon-Thu: 1:55, 7:20. Body of Lies—Fri-Sun: 12:30, 3:30, 6:55, 9:50; Mon-Thu: 1:10, 4, 7, 9:50. Burn After Reading—Fri-Sun: 12:15, 2:30, 4:45, 7, 9:15; Mon-Thu: 2:15, 4:30, 7:05, 9:25. City of Ember—Fri-Sun: 1:15, 3:45, 6:30, 9; Mon-Thu: 1:20, 3:45, 6:35, 9. Eagle Eye—Fri-Sun: 1:20, 4:20, 7:15, 10:05; Mon-Thu: 1:40, 4:25, 7:15, 9:55. The Express—Fri-Sun: 12:20, 3:15, 6:40, 9:30; Mon-Thu: 1, 3:50, 6:45, 9:35. Flash of Genius—Fri-Sun: 12:55, 3:50, 7:05, 9:50; Mon-Thu: 1:25, 4:05, 7:05, 9:45. Ghost Town—Fri-Sun: 3:20, 9:25; Mon-Thu: 5, 10:10. How to Lose Friends & Alienate People—Fri-Sun: 4:50, 10:10; Mon-Thu: 4:40, 10:05. Lakeview Terrace—Fri-Sun: 1:25, 4, 6:45, 9:20; Mon-Thu: 1:35, 4:35, 7:10, 9:40. Nick & Norah's Infinite Playlist—Fri-Sun: 12:40, 2:50, 5, 7:45, 10:10; Mon-Thu: 2:30, 4:45, 7:25, 9:40. Nights in Rodanthe—Fri-Sun: 1:50, 4:30, 7:10, 9:45; Mon-Thu: 1:50, 4:20, 6:40, 9:15. Quarantine—Fri-Sun: 12:45, 3, 5:15, 8, 10:15; Mon-Thu: 1:05, 3:15, 5:30, 8, 10:15. Tyler Perry's The Family That Preys—Fri-Sun: 12:35, 6:50; Mon-Thu: 2, 7:30

Raleighwood Cinema Grill
Falls Village Shopping Center, Raleigh, 847-0326

The House Bunny—Fri-Thu: 7. Kung Fu Panda—Fri-Mon: 12:30, 3:30; Tue: 3:30; Wed-Thu: 12:30, 3:30. Pineapple Express—Fri-Thu: 9:15. Tropic Thunder—Fri-Sun: 6:30, 9; Tue: 6:30, 9; Thu: 6:30, 9. WALL-E—Fri-Thu: 1, 4

Rialto Theatre - Raleigh
1620 Glenwood Ave, Raleigh, 856-0111

The Duchess—Fri: 7, 9:20; Sat: (2, 4:30), 7, 9:20; Sun: (2, 4:30), 9:20; Mon-Thu: 7, 9:20. The Rocky Horror Picture Show—Fri: 12 AM

Six Forks Station Cinema
9500 Forum Dr, Raleigh, 846-3904

An American Carol—Fri-Thu: (1:20, 3:15, 5:15), 7:25, 9:40. Beverly Hills Chihuahua—Fri-Thu: (1, 3, 5), 7:05, 9:15. Body of Lies—Fri-Thu: (1:15, 4), 7:15, 9:45. City of Ember—Fri-Thu: (12:45, 2:50, 4:55), 7:10, 9:20. Eagle Eye—Fri-Thu: (1:20, 4:05), 7:10, 9:45. Nights in Rodanthe—Fri-Thu: (12:45, 2:55, 5:05), 7:20, 9:30

Regal White Oak Stadium 14
1205 Timber Dr East, Garner, 676-FILM

Appaloosa—Fri: 2, 4:40, 7:20, 10; Sat-Sun: 12:50, 3:30, 7:10, 10; Mon-Thu: 2, 4:40, 7:20, 10. Beverly Hills Chihuahua—Fri: 1:05, 4:20, 6:55, 9:40; Sat-Sun: 12:35, 3, 6:55, 9:35; Mon-Thu: 1:05, 4:20, 6:55, 9:40. Blindness—Fri-Thu: 4:10, 9:45. Body of Lies—Fri: 1:40, 4:30, 7:25, 10:20; Sat-Sun: 12:45, 3:35, 7:25, 10:20; Mon-Thu: 1:40, 4:30, 7:25, 10:20. Burn After Reading—Fri: 2:20, 5:05, 8; Sat: 2:20, 5:05; Sun-Thu: 2:20, 5:05, 8. City of Ember—Fri: 1, 3:20, 7, 9:20; Sat-Sun: 12:40, 3:20, 7, 9:20; Mon-Thu: 1, 3:20, 7, 9:20. Eagle Eye—Fri-Thu: 1:30, 2:05, 4:55, 7:05, 7:35, 10:15. The Express—Fri: 1:20, 4:15, 7:10, 10:05; Sat-Sun: 12:30, 3:25, 6:45, 9:40; Mon-Thu: 1:20, 4:15, 7:10, 10:05. How to Lose Friends & Alienate People—Fri-Thu: 9:25. Igor—Fri: 2:50, 5, 7:15; Sat-Sun: 12:55, 3:05, 7:15; Mon-Thu: 2:50, 5, 7:15. Lakeview Terrace—Fri-Thu: 2:25, 5:20, 8:05. Nick & Norah's Infinite Playlist—Fri: 2:30, 5:25, 7:40, 9:55; Sat-Sun: 1, 3:15, 5:25, 7:40, 9:55; Mon-Thu: 2:30, 5:25, 7:40, 9:55. Nights in Rodanthe—Fri: 2:10, 5:10, 7:45, 10:10; Sat-Sun: 1:35, 5:10, 7:45, 10:10; Mon-Thu: 2:10, 5:10, 7:45, 10:10. Quarantine—Fri: 2:15, 5:15, 7:30, 9:50; Sat-Sun: 1:05, 4:25, 7:30, 9:50; Mon-Thu: 2:15, 5:15, 7:30, 9:50. Sex Drive—Sat: 7:30. Tyler Perry's The Family That Preys—Fri-Thu: 1:15, 4, 6:50, 9:30

Durham

Southpoint Cinemas
8030 Renaissance Parkway, Suite 975, (919)313-6627

Appaloosa—Fri-Sun: (12:10, 3), 6:25, 9; Mon-Thu: (12:55, 3:45), 6:25, 9. Beverly Hills Chihuahua—Fri-Sun: (12:15, 2:55), 6:05, 8:20; Mon-Thu: (12:30, 2:55), 6:05, 8:20. Billy: The Early Years—Fri-Sat: (1, 3:40), 6:30, 9; Sun-Thu: (1, 3:40), 6:20, 8:40. Blindness—Fri-Thu: (1:30). Body of Lies—Fri-Sat: (1:15, 4:15), 7:10, 10:05; Sun-Thu: (1:15, 4:15), 7:05, 10. Burn After Reading—Fri-Sat: (1:35, 4:05), 7, 9:15; Sun-Thu: (1:35, 4:05), 6:55, 9:10. City of Ember—Fri-Sat: (12:05, 3:50), 6:20, 8:50; Sun: (12:05, 3:50), 6:20, 8:40; Mon-Thu: (12:30, 3:50), 6:20, 8:40. Eagle Eye—Fri-Sat: (1:45, 4:30), 7:30, 10:15; Sun-Thu: (1:45, 4:30), 7:20, 10. The Express—Fri-Sat: (12:35, 3:30), 6:45, 9:45; Sun: (12:35, 3:30), 6:35, 9:25; Mon-Thu: (12:40, 3:30), 6:35, 9:25. Fireproof—Fri-Sat: (12:30, 3:20), 6:10, 8:50; Sun: (12:30, 3:20), 6:10, 8:45; Mon-Wed: (12:40, 3:20), 6:10, 8:45; Thu: (12:40, 3:20), 6:10. Flash of Genius—Fri-Sat: (12:25, 3:05), 6:30, 9:05; Sun: (12:25, 3:05), 6:15, 8:50; Mon-Wed: (12:50, 3:25), 6:15, 8:50; Thu: (12:50, 3:25), 6:15. How to Lose Friends & Alienate People—Fri-Thu: (1:30). Lakeview Terrace—Fri: (4:45), 7:50, 10:25; Sat: (4:45), 10:25; Sun-Wed: (4:45), 7:20, 9:50; Thu: (4:45), 7:20. Miracle at St. Anna—Fri-Sat: (1:05, 4:55), 8:40; Sun-Thu: (1:05, 4:55), 8:30. Nick & Norah's Infinite Playlist—Fri-Sat: (1:20, 4), 7:20, 9:35; Sun: (1:20, 4), 7:15, 9:30; Mon-Thu: (1:20, 4), 7:15, 9:35. Nights in Rodanthe—Fri-Sat: (12, 2:20, 4:40), 7, 9:25; Sun: (12, 2:20, 4:40), 7, 9:20; Mon-Thu: (1:50, 4:15), 6:35, 8:55. Quarantine—Fri-Sat: (12:50, 3:10, 5:30), 7:45, 10:30; Sun: (12:50, 3:10, 5:20), 7:30, 9:45; Mon-Thu: (2, 5:15), 7:30, 9:45. Sex Drive—Sat: 8. Tyler Perry's The Family That Preys—Fri-Sat: (4:20), 6:50, 9:55; Sun: (4:20), 6:45, 9:40; Mon-Wed: (4:20), 6:45, 9:15; Thu: 6:45, 9:15

Carolina Theatre - Durham
309 W Morgan St, Durham, 560-3030

Clue—Fri: 7:30. The Duchess—Fri: 7:10, 9:35; Sat-Sun: (2:10, 4:35), 7:10, 9:35; Mon-Thu: 7:10, 9:35. Fright Night—Fri: 9:30. I Served the King of England (Obsluhoval jsem anglickeho krale)—Fri: 7, 9:30; Sat-Sun: (2, 4:30), 7, 9:30; Mon-Thu: 7, 9:30

East Coast Entertainment - Northgate Stadium 10
1056 W Club Blvd, Durham, 286-1001

Beverly Hills Chihuahua—Fri-Sun: (10:30 AM, 12:40, 2:50, 5), 7:15, 9:30; Mon-Thu: (12:40, 2:50, 5), 7:15, 9:30. Blindness—Fri-Thu: 9:50. Body of Lies—Fri-Sun: (10:40 AM, 1:30, 4:20), 7:10, 10; Mon-Thu: (1:30, 4:20), 7:10, 10. City of Ember—Fri-Sun: (10:15 AM, 12:30, 2:45, 5), 7:15, 9:35; Mon-Thu: (12:30, 2:45, 5), 7:15, 9:35. Eagle Eye—Fri-Sun: (11 AM, 1:45, 4:30), 7:20, 10; Mon-Thu: (1:45, 4:30), 7:20, 10. The Express—Fri-Sun: (10:30 AM, 1:20, 4:10), 7, 9:50; Mon-Thu: (1:20, 4:10), 7, 9:50. How to Lose Friends & Alienate People—Fri-Thu: 9:45. Lakeview Terrace—Fri-Sun: (10:45 AM, 1:15, 4:15), 7:15, 9:45; Mon-Thu: (1:15, 4:15), 7:15, 9:45. Nick & Norah's Infinite Playlist—Fri-Sun: (10:45 AM, 12:55, 3:10, 5:15), 7:30; Mon-Thu: (12:55, 3:10, 5:15), 7:30. Nights in Rodanthe—Fri-Sun: (10:15 AM, 12:35, 2:55, 5:15), 7:35; Mon-Thu: (12:35, 2:55, 5:15), 7:35. Quarantine—Fri-Sun: (10:20 AM, 12:45, 3, 5:15), 7:30, 9:55; Mon-Thu: (12:45, 3, 5:15), 7:30, 9:55. Tyler Perry's The Family That Preys—Fri-Sun: (11 AM, 1:30, 4), 7, 9:30; Mon-Thu: (1:30, 4), 7, 9:30

Carmike Wynnsong 15
1800 Martin Luther King Blvd, Durham, 489-9020

An American Carol—Fri-Sat: 1, 3:10, 5:20, 7:40, 9:50, 12 AM; Sun-Thu: 1, 3:10, 5:20, 7:40, 9:50. Beverly Hills Chihuahua—Fri-Thu: 1, 3:10, 5:20, 7:30, 9:45. Billy: The Early Years—Fri-Sat: 1, 3:15, 5:30, 7:45, 10, 12:15 AM; Sun-Thu: 1, 3:15, 5:30, 7:45, 10. Blindness—Fri-Thu: 4:20, 9:45. Body of Lies—Fri-Sat: 1:15, 4:15, 7:10, 10, 12 AM; Sun-Thu: 1:15, 4:15, 7:10, 10. Burn After Reading—Fri-Sat: 9:50, 12:15 AM; Sun-Thu: 9:50. Carmen: Royal Opera House/London—Thu: 7. City of Ember—Fri-Sat: 1, 3:15, 5:40, 7:50, 10, 12:10 AM; Sun-Thu: 1, 3:15, 5:40, 7:50, 10. Eagle Eye—Fri-Sat: 1, 4, 7, 9:55, 11:45; Sun-Thu: 1, 4, 7, 9:55. The Express—Fri-Thu: 1, 4, 7, 9:55. Ghost Town—Fri-Thu: 1:40, 7:15. How to Lose Friends & Alienate People—Fri-Thu: 1:20, 4, 7:20. Lakeview Terrace—Fri-Sat: 1:30, 4:30, 7:10, 9:50, 12:30 AM; Sun-Wed: 1:30, 4:30, 7:10, 9:50; Thu: 1:30, 4:30, 9:50. Miracle at St. Anna—Fri-Sat: 1, 4:15, 7:30, 10:45; Sun-Thu: 1, 4:15, 7:30. Nick & Norah's Infinite Playlist—Fri-Sat: 1, 3:10, 5:20, 7:30, 9:40, 11:50; Sun-Thu: 1, 3:10, 5:20, 7:30, 9:40. Nights in Rodanthe—Fri-Sat: 1, 3:15, 5:30, 7:45, 10, 12:15 AM; Sun-Thu: 1, 3:15, 5:30, 7:45, 10. Quarantine—Fri-Sat: 1, 3:15, 5:30, 7:45, 10:10, 12:25 AM; Sun-Thu: 1, 3:15, 5:30, 7:45, 10:10. Tyler Perry's The Family That Preys—Fri-Sat: 1:20, 4:10, 7:10, 9:50, 12:20 AM; Sun-Thu: 1:20, 4:10, 7:10, 9:50

Chapel Hill

Chelsea Theater
Timberlyne Village Mall, 1129 Weaver Dairy Rd, Chapel Hill, 968-3005

Blindness—Fri: 9:10; Sat-Sun: (4:10), 9:10; Mon-Thu: 9:10. The Duchess—Fri: 7:15, 9:30; Sat-Sun: (2:15, 4:30), 7:15, 9:30; Mon-Thu: 7:15, 9:30. I Served the King of England (Obsluhoval jsem anglickeho krale)—Fri: 7, 9:20; Sat-Sun: (2, 4:20), 7, 9:20; Mon-Thu: 7, 9:20. Moving Midway—Fri: 7:20; Sat-Sun: (2:20), 7:20; Mon-Thu: 7:20

Lumina
Southern Village, NC 15-501 South, Chapel Hill, 932-9000

Beverly Hills Chihuahua—Fri-Thu: (12:45, 2:50, 4:55), 7:05, 9:15. Body of Lies—Fri-Thu: (1:15, 4), 7:10, 9:45. The Express—Fri-Thu: (1:20, 4:15), 7, 9:45. Nick & Norah's Infinite Playlist—Fri-Thu: (12:50, 2:55, 5), 7:20, 9:40. Nights in Rodanthe—Fri-Thu: (1, 3:05, 5:10), 7:15, 9:35

Regal Timberlyne 6
Timberlyne Shopping Center, 120 Banks Dr off Weaver Dairy Rd, Chapel Hill, 933-8600

Beverly Hills Chihuahua—Fri-Sat: (1:25, 4:15), 7:10, 9:40; Sun-Thu: (1:25, 4:15), 7:10. Body of Lies—Fri-Sat: (1:20, 4:10), 7:05, 10; Sun-Thu: (1:20, 4:10), 7:05. Burn After Reading—Fri-Thu: (1:40), 7:35. Eagle Eye—Fri-Sat: (4:25), 9:50; Sun-Thu: (4:25). The Express—Fri-Sat: (1:15, 4:05), 7, 9:55; Sun-Thu: (1:15, 4:05), 7. Nick & Norah's Infinite Playlist—Fri-Sat: (1:45, 4:20), 7:20, 9:45; Sun-Thu: (1:45, 4:20), 7:20. Quarantine—Fri-Sat: (1:30, 4), 7:40, 10:05; Sun-Thu: (1:30, 4), 7:40

Varsity Theatre
123 E Franklin St, Chapel Hill, 967-8665

Burn After Reading—Fri: 7, 9:30; Sat-Sun: (2, 4:20), 7, 9:30; Mon-Thu: 7, 9:30. Religulous—Fri: 7:15, 9:20; Sat-Sun: (2:15, 4:30), 7:15, 9:20; Mon-Thu: 7:15, 9:20

Graham

Graham Cinema
119 N Main St, Graham, (336)226-1488

Hancock—Fri: 7, 9; Sat-Sun: 1, 3, 5, 7, 9; Mon-Thu: 7

Roxboro

Palace Theater
5050 Durham Rd, Roxboro, (336)598-5050

An American Carol—Fri-Sat: 9:25. Beverly Hills Chihuahua—Fri: (4:30), 7:10, 9:15; Sat: (2:05, 4:30), 7:10, 9:15; Sun: (2:05, 4:30), 7:10; Mon-Wed: (4:30), 7:10; Thu: (1, 4:30), 7:10. City of Ember—Fri: (4:40), 7:10, 9:30; Sat: (2:15, 4:40), 7:10, 9:30; Sun: (2:15, 4:40), 7:10; Mon-Wed: (4:40), 7:10; Thu: (1, 4:40), 7:10. Eagle Eye—Fri: (4:25), 6:50, 9:15; Sat: (2, 4:25), 6:50, 9:15; Sun: (2, 4:25), 6:50; Mon-Wed: (4:25), 6:50; Thu: (1, 4:25), 6:50. The Express—Fri: 6:45, 9:25; Sat: (2:25), 6:45, 9:25; Sun: (2:25), 6:45; Mon-Wed: 6:45; Thu: (1), 6:45. Fireproof—Fri: (4:30), 6:55, 9:20; Sat: (2, 4:30), 6:55, 9:20; Sun: (2, 4:30), 6:55; Mon-Wed: (4:30), 6:55; Thu: (1, 4:30), 6:55. Lakeview Terrace—Fri: (4:25), 7; Sat-Sun: (2:05, 4:25), 7; Mon-Wed: (4:25), 7; Thu: (1, 4:25), 7. Nights in Rodanthe—Fri: (4:40), 7:05, 9:20; Sat: (2:20, 4:40), 7:05, 9:20; Sun: (2:20, 4:40), 7:05; Mon-Wed: (4:40), 7:05; Thu: (1, 4:40), 7:05. Quarantine—Fri: (4:35), 7:05, 9:25; Sat: (2:10, 4:35), 7:05, 9:25; Sun: (2:10, 4:35), 7:05; Mon-Wed: (4:35), 7:05; Thu: (1, 4:35), 7:05

Special Showings

Chronological by date and time

Community Cinema: Thu, Oct 9, 7 pm: Lioness. An intimate look at war through the eyes of women. Free. Open Eye Cafe, Carrboro. www.openeyecafe.com.

Black Gold: Fri, Oct 10, 7 pm: Oil industry expose. Free. Cameron Village Regional Library. 856-6703 or ashlyn.bradshaw@co.wake.nc.us.

Homage to Film Noir Series: Fri, Oct 10, 8 pm: Classe Tous Risques. 1960 Italian gangster flick. $5. NC Art Museum. 715-5923.

The Cinema, Inc Screening: Sun, Oct 12, 7 pm: Ed Wood. Join this nonprofit, Raleigh-based society of film-lovers for a screening of the 1994 Tim Burton film about one of Hollywood's worst — and most likable — directors. Membership is $20 for 12 screenings. The Rialto. 787-7611, www.cinema-inc.org.

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